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3 Poèmes de Henri Michaux, pour voix et piano

SKU POEM-005
Price

€500.00

Rare first edition of Guézec’s posthumous settings of three poems by Henri Michaux. Large-folio score in near-fine condition, clean covers and crisp leaves. This copy retains publisher’s archival ephemera: a Salabert compliments slip, a typed letter to Michaux (21 July 1978), SACEM declaration forms, and estate-administrator signed papers. It fuses Michaux’s poetic abstraction with Guézec’s post-serial idiom, a pupil of Messiaen. A compelling document at the nexus of poetry and avant-garde music.

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3 Poèmes de Henri Michaux, pour voix et piano
1978 | Paris; New York
A choice piece at the crossroads of literature and new music, in superb condition with publisher’s paperwork elevating the copy’s status.

Rare first edition of Guézec’s posthumous settings of three poems by Henri Michaux. Large-folio score in near-fine condition, clean covers and crisp leaves. This copy retains publisher’s archival ephemera: a Salabert compliments slip, a typed letter to Michaux (21 July 1978), SACEM declaration forms, and estate-administrator signed papers. It fuses Michaux’s poetic abstraction with Guézec’s post-serial idiom, a pupil of Messiaen. A compelling document at the nexus of poetry and avant-garde music.

€500
Condition Report:
In-Depth Study
References & Bibliography
Format
In-folio (Folio) approx. 30 × 40 cm
Edition Particulars
With Salabert compliments slip, typed letter (21 July 1978) to Henri Michaux, SACEM “Bulletin de Déclaration” signed by André Victor Guezec (estate administrator); publisher’s archival documents included.
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Edition Particulars:
We welcome private inquiries, collaborations with institutions, and acquisition requests. Each message is treated with discretion and respect. We welcome private inquiries, collaborations with institutions, and acquisition requests.
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Copy Number:
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Product DETAIL

Three poems by Michaux (“Dans la nuit,” “Importez-moi,” “Mes sculptures”) for voice and piano, set by Jean-Pierre Guézec; a musical reading of Michaux’s imagistic, abstract verse.

Choix de poèmes
Michaux, Henri
Choix de poèmes

In Choix de poèmes, Michaux’s poetic trajectory is gathered into a compact, portable compass. This édition originale collective was issued by NRF in 1976; the present copy is from the minute head issue of fifteen on vélin pur fil. Miguet’s sober Havana-morocco binding, with panelled frame, marries elegance to rigor—akin to a voice moving between vision and observation. The selection shows the steady pursuit of inner landscapes and linguistic shock. For bibliophiles, luxury paper, original state and atelier binding make a persuasive triad. Provenance from Jacques Dauchez provides a discreet, eloquent seal.

Book
€700
Poteaux d’angles
Michaux, Henri
Poteaux d’angles

In Poteaux d’angles, Henri Michaux returns to compact, probing prose balanced between poem and notebook. Issued by L’Herne in 1971, this copy is from the exceedingly scarce head issue on Hollande paper. Miguet’s raspberry-morocco panelled binding lends a mineral poise that suits Michaux’s angular sentences. The brief pieces act as beacons—jottings, sallies, flashes of insight and refusal. For bibliophiles the trio is ideal: original edition, luxury paper, and a fine atelier binding. The Jacques Dauchez provenance seals its pedigree.

Book
€600
Moments
Michaux, Henri
Moments

Moments is a late, compact Michaux volume where language probes time in brief surges and pauses. The grey-buffalo Jansenist binding—by Miguet—frames the spare layout and lets the text’s rhythm breathe. The title points to flashes of consciousness: halts, starts, reprises. As the édition originale in NRF’s “Le Point du Jour” series, the book exemplifies postwar bibliophile exactitude: precise setting, generous white, tactile paper. This copy is from the very small head issue on vergé de Hollande. The binding’s discreet elegance heightens reading focus.

Book
€960
Les ravagés
Michaux, Henri
Les ravagés

Les ravagés is a late, taut volume in which Michaux probes inner devastation through brief, charged passages. The taupe box-calf Jansenist binding—plain, unadorned—mirrors the text’s austerity and lends the bibliophile object a quiet weight. Fata Morgana’s lucid typography respects the prose’s breathing. As the édition originale, this copy belongs to the very scarce head issue on Arches. The slipcase by Miguet confirms the material care. An intense work where wound, recovery, and interior mapping are handled with surgical poise.

Book
€650
Studies & Dossiers
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The ‘destroyed’ copies of La lampe dans l’horloge

Books thrive on rumours. This is the story of a first issue Breton ‘made disappear’—and the copies that persisted.

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