Ainsi va l'amitié
What makes this copy especially memorable is not only its tiny limitation but the way it fixes three friendships at once: that between Char and Braque, that between Char and PAB, and that of all of them with the image that outlives them. The eight original photographs are not an illustrative supplement but the true bearers of presence; they preserve gazes, workspaces, and silences. The fact that PAB and Mariette Lachaud signed this copy gives it an almost confidential status, as though the circle of makers were still present within the book. In such editions, bibliophily becomes more than rarity alone: it becomes a form of shared memory.
Quantity
René Char, Georges Braque
Lachaud, Mariette
Pierre Andre Benoit (PAB)
Ainsi va l'amitié
1962 | S.l. (Alès) | Éditions PAB
An exceptionally rare PAB edition in which Char, Braque, and their circle meet tangibly in word, image, and binding.
What makes this copy especially memorable is not only its tiny limitation but the way it fixes three friendships at once: that between Char and Braque, that between Char and PAB, and that of all of them with the image that outlives them. The eight original photographs are not an illustrative supplement but the true bearers of presence; they preserve gazes, workspaces, and silences. The fact that PAB and Mariette Lachaud signed this copy gives it an almost confidential status, as though the circle of makers were still present within the book. In such editions, bibliophily becomes more than rarity alone: it becomes a form of shared memory.
€4,500
Condition Report:
In-Depth Study
References & Bibliography
Format
In-4 (Quarto) approx. 25 × 32 cm
Edition Particulars
Copy 20 of 21, signed by PAB and Mariette Lachaud.
Print Run
21
Copy Number
No. 20
Paper
Rives
Inscription
Signed by the Editor
Product DETAIL
The book is structured around two brief texts or aphoristic statements by Georges Braque and René Char, surrounded and answered by eight original photographs. There is no continuous narrative; at the centre stands the friendship among the figures involved and the way it becomes visible through faces, studios, landscapes, and proximity. Four photographs by Mariette Lachaud show, among other things, Braque, Char, and the studio environment; four by Pierre-André Benoît add his own view of this circle. The result is a condensed portrait of an artistic community rather than a linear story. Its composition rests on resonance between word and image, between memory and presence. The book does not merely document a relationship but makes it physically tangible within a carefully staged ensemble. Its tone is intimate, restrained, and reverent, with a rare concentration of feeling and form.
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