Arriver à se réveiller
A rare first edition of Arriver à se réveiller, written by Henri Michaux in the tremulous post-war years. The text unfolds as an inward journey toward lucidity, where sleep and waking mirror each other. Printed and published by Pierre Bettencourt in his own workshop, the edition’s small run preserves the work’s intimacy. The title-page vignette, a linocut by Bettencourt, sets a spare, rhythmic visual key that amplifies Michaux’s vigilant, vulnerable tone. This copy is handsomely bound in brown morocco with balsa boards by Miguet, a tactile nod to lightness under tension. For bibliophiles, it is an exemplary union of poetry, craft, and experiment. The volume embodies the independence of the post-war small press and Michaux’s radical sensitivity.
Quantity
Michaux, Henri
Bettencourt, Pierre
Arriver à se réveiller
1947 | Bettencourt
A precise, rare consonance between Michaux’s spare acuity and Bettencourt’s tactile idiom. Finely bound by Miguet, this copy is a small triumph of form and focus. An essential miniature for the lover of post-war small presses.
A rare first edition of Arriver à se réveiller, written by Henri Michaux in the tremulous post-war years. The text unfolds as an inward journey toward lucidity, where sleep and waking mirror each other. Printed and published by Pierre Bettencourt in his own workshop, the edition’s small run preserves the work’s intimacy. The title-page vignette, a linocut by Bettencourt, sets a spare, rhythmic visual key that amplifies Michaux’s vigilant, vulnerable tone. This copy is handsomely bound in brown morocco with balsa boards by Miguet, a tactile nod to lightness under tension. For bibliophiles, it is an exemplary union of poetry, craft, and experiment. The volume embodies the independence of the post-war small press and Michaux’s radical sensitivity.
€680
Condition Report:
In-Depth Study
References & Bibliography
Format
In-8 (Octavo) approx. 20 × 26 cm
Edition Particulars
One of 160 copies; with title-page vignette/linocut by Pierre Bettencourt.
Print Run
160
Copy Number
15
Paper
vélin d’Arches
Inscription
No inscription
Product DETAIL
A sequence of short prose-poems and fragments probes the threshold between sleep and wakefulness, between dream residue and lucid poise. Michaux writes elliptically and with pulse: sentences that sharpen, then dissolve. Motifs of moving, rising, striking, and resuming recur as rituals of awareness. Narrative is sparse, yet cadence and inner motion are rich. The tone is both ascetic and restless, as if each word taught the body to wake again. The result is a concentrated miniature of his major concerns: autonomy, resistance, attention.

Éluard, Paul
Au rendez-vous allemand
Au rendez-vous allemand is one of the emblematic collections of Éluard’s wartime poetry. The book appeared in 1944 from Les Éditions de Minuit, the publishing house that, under the Occupation, became a moral landmark of the French literary Resistance. The volume gathers poems in which love, mourning, revolt and hope appear not as abstractions but as immediate necessities under German rule. The frontispiece, a portrait of the poet after Picasso, gives the book a powerful artistic signature: two voices of modern France, poet and artist, stand here in the same struggle. This is an ordinary, unnumbered copy, but signed by Éluard on the first page. That signature makes the book more than a Resistance document: it becomes a tangible witness to literary presence in a historically charged year. For the collector, it unites the clandestine aura of Minuit, Picasso’s name and Éluard’s own hand.
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Amis & Amille. Mystère du XIVe siècle.
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André Breton. Quelques aspects de l'écrivain.
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