Au rendez-vous allemand
Au rendez-vous allemand is one of the emblematic collections of Éluard’s wartime poetry. The book appeared in 1944 from Les Éditions de Minuit, the publishing house that, under the Occupation, became a moral landmark of the French literary Resistance. The volume gathers poems in which love, mourning, revolt and hope appear not as abstractions but as immediate necessities under German rule. The frontispiece, a portrait of the poet after Picasso, gives the book a powerful artistic signature: two voices of modern France, poet and artist, stand here in the same struggle. This is an ordinary, unnumbered copy, but signed by Éluard on the first page. That signature makes the book more than a Resistance document: it becomes a tangible witness to literary presence in a historically charged year. For the collector, it unites the clandestine aura of Minuit, Picasso’s name and Éluard’s own hand.
Quantity
Éluard, Paul
Au rendez-vous allemand
1944 | Paris
A moving Resistance book in which Éluard’s voice, Picasso’s image and Minuit’s clandestine history converge. This unnumbered copy gains its force from the poet’s own signature.
Au rendez-vous allemand is one of the emblematic collections of Éluard’s wartime poetry. The book appeared in 1944 from Les Éditions de Minuit, the publishing house that, under the Occupation, became a moral landmark of the French literary Resistance. The volume gathers poems in which love, mourning, revolt and hope appear not as abstractions but as immediate necessities under German rule. The frontispiece, a portrait of the poet after Picasso, gives the book a powerful artistic signature: two voices of modern France, poet and artist, stand here in the same struggle. This is an ordinary, unnumbered copy, but signed by Éluard on the first page. That signature makes the book more than a Resistance document: it becomes a tangible witness to literary presence in a historically charged year. For the collector, it unites the clandestine aura of Minuit, Picasso’s name and Éluard’s own hand.
€350
Condition Report:
In-Depth Study
References & Bibliography
Format
In-12 (Duodecimo) approx. 17 × 22 cm
Edition Particulars
Ordinary unnumbered copy, signed by Paul Éluard on the first page.
Print Run
120
Paper
papier courant
Inscription
Signed by the Author
Product DETAIL
The volume gathers poems that Éluard wrote or published during the Second World War and the German Occupation. At its centre are the humiliation of occupied France, the victims of executions and persecution, the courage of Resistance fighters and the expectation of liberation. The opening poem, Avis, begins from a German execution notice and evokes the final hours of a condemned resister; other poems move between accusation, elegy and a call to fraternity. Éluard uses simple, direct language, so that the poems are not hermetic but publicly shareable. Love and freedom are not separate themes here: the beloved, the people and the country often enter the same moral field. The poems therefore build a passage from night, fear and violence toward stubborn hope. In literary terms the work remains tied to Surrealism, but war compels Éluard’s language toward greater clarity and political urgency.
Michaux, Henri · Bettencourt, Pierre
Arriver à se réveiller
A rare first edition of Arriver à se réveiller, written by Henri Michaux in the tremulous post-war years. The text unfolds as an inward journey toward lucidity, where sleep and waking mirror each other. Printed and published by Pierre Bettencourt in his own workshop, the edition’s small run preserves the work’s intimacy. The title-page vignette, a linocut by Bettencourt, sets a spare, rhythmic visual key that amplifies Michaux’s vigilant, vulnerable tone. This copy is handsomely bound in brown morocco with balsa boards by Miguet, a tactile nod to lightness under tension. For bibliophiles, it is an exemplary union of poetry, craft, and experiment. The volume embodies the independence of the post-war small press and Michaux’s radical sensitivity.
Illustrated Book
€680
Gracq, Julien · Bellmer, Hans
André Breton. Quelques aspects de l'écrivain.
A rare homage by Julien Gracq to André Breton, published by José Corti in a limited edition of 70 copies. This essay is both a powerful literary portrait and a visual tribute, thanks to Hans Bellmer’s iconic line portrait on the cover. Bellmer, known for his surrealist and psychosexual art, ties the book to the avant-garde movements of the 20th century. Gracq’s analysis is rigorous and insightful, reflecting his close engagement with Breton’s ideas. The collaboration between these two major figures and the fine print quality make this a coveted item for collectors of surrealist literature.
Illustrated Book
€500
Brillat-Savarin, Jean-Anthelme · Dufy, Raoul
Aphorismes et variétés.
An elegant *livre d’artiste* pairing Brillat-Savarin’s witty gastronomic aphorisms with twenty full-page original etchings by Raoul Dufy. Dufy’s airy, musical line lends the text a radiant cadence, turning the maxims into vignettes of conviviality and taste. Limited to 200 copies on Rives wove; this is no. 19, for the subscriber Mr Bernard-Beaumaine. Untrimmed copy with original covers and spine preserved, luxuriously rebound by F. Rousseau in 2001. Clear provenance enhances its appeal. Wrapper slightly toned; box with only the faintest rubbing. A refined encounter between culinary letters and modernist design.