Bras cassé
€850.00
Bras cassé is a compact, scarce edition in which Michaux’s taut prose-poetry uses bodily fracture as a thinking figure. Issued as loose sheets, the book encourages a fragmentary, rhythmic reading—each page an autonomous pulse. Fata Morgana’s restrained typography conducts rather than dampens the intensity. This is the original 1973 edition, with an exceedingly small head issue on Japan paper. Treille’s chemise and slipcase frame the work as an artist’s object. A model bibliophile format where material and voice converge.
Quantity
Michaux, Henri
ILLUSTRATORS
ILLUSTRATORS
ILLUSTRATORS
Bras cassé
1973 | Montpellier | Fata Morgana
A most uncommon head copy on Japan paper, crisply produced and well preserved. The en-feuilles issue and chemise-slipcase assert its bibliophile status.
Bras cassé is a compact, scarce edition in which Michaux’s taut prose-poetry uses bodily fracture as a thinking figure. Issued as loose sheets, the book encourages a fragmentary, rhythmic reading—each page an autonomous pulse. Fata Morgana’s restrained typography conducts rather than dampens the intensity. This is the original 1973 edition, with an exceedingly small head issue on Japan paper. Treille’s chemise and slipcase frame the work as an artist’s object. A model bibliophile format where material and voice converge.
€850
Condition Report:
In-Depth Study
References & Bibliography
Format
In-8 (Octavo) approx. 20 × 26 cm
Edition Particulars
One of 10 head copies on Japan paper.
Print Run
10
Copy Number
7
Paper
Japon
Inscription
No inscription
1
Edition Particulars:
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Print Run:
Condition Report:
1
Copy Number:
Condition Report:
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Paper:
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Product DETAIL
The text unfolds in brief, charged segments that jolt, falter, and resume—language close to skin and nerve. Themes of injury, recovery, and interior mapping alternate. The loose-leaf presentation sustains the episodic character and invites reordering. The book is deliberately spare: typography as breathing space around the voice. Fracture serves as a metaphor for perception and thought. The result is intense, concentrated, exact.
Michaux, Henri
Choix de poèmes
In Choix de poèmes, Michaux’s poetic trajectory is gathered into a compact, portable compass. This édition originale collective was issued by NRF in 1976; the present copy is from the minute head issue of fifteen on vélin pur fil. Miguet’s sober Havana-morocco binding, with panelled frame, marries elegance to rigor—akin to a voice moving between vision and observation. The selection shows the steady pursuit of inner landscapes and linguistic shock. For bibliophiles, luxury paper, original state and atelier binding make a persuasive triad. Provenance from Jacques Dauchez provides a discreet, eloquent seal.
Book
€700
Michaux, Henri
Poteaux d’angles
In Poteaux d’angles, Henri Michaux returns to compact, probing prose balanced between poem and notebook. Issued by L’Herne in 1971, this copy is from the exceedingly scarce head issue on Hollande paper. Miguet’s raspberry-morocco panelled binding lends a mineral poise that suits Michaux’s angular sentences. The brief pieces act as beacons—jottings, sallies, flashes of insight and refusal. For bibliophiles the trio is ideal: original edition, luxury paper, and a fine atelier binding. The Jacques Dauchez provenance seals its pedigree.
Book
€600
Michaux, Henri
Moments
Moments is a late, compact Michaux volume where language probes time in brief surges and pauses. The grey-buffalo Jansenist binding—by Miguet—frames the spare layout and lets the text’s rhythm breathe. The title points to flashes of consciousness: halts, starts, reprises. As the édition originale in NRF’s “Le Point du Jour” series, the book exemplifies postwar bibliophile exactitude: precise setting, generous white, tactile paper. This copy is from the very small head issue on vergé de Hollande. The binding’s discreet elegance heightens reading focus.
Book
€960
Michaux, Henri
Les ravagés
Les ravagés is a late, taut volume in which Michaux probes inner devastation through brief, charged passages. The taupe box-calf Jansenist binding—plain, unadorned—mirrors the text’s austerity and lends the bibliophile object a quiet weight. Fata Morgana’s lucid typography respects the prose’s breathing. As the édition originale, this copy belongs to the very scarce head issue on Arches. The slipcase by Miguet confirms the material care. An intense work where wound, recovery, and interior mapping are handled with surgical poise.
