Charlot
€450.00
This brisk biography studies Chaplin’s Tramp—not a scholarly treatise but a lively portrait of a myth that gave modernity a face. Issued in 1931 by Plon in the La grande fable series, the small-format book uses spare, elegant design. Soupault reads the Tramp as emblem of resourceful fragility; between slapstick and melancholy he sketches an ethics of the humble. The quick, precise prose moves in scene-like chapters. For bibliophiles it shows an early Surrealist thinking cinema in prose. This copy is enriched with an inserted autograph poem.
Quantity
Soupault, Philippe
ILLUSTRATORS
ILLUSTRATORS
ILLUSTRATORS
Charlot
1931 | Paris | A La Librairie Plon
A crisp portrait of the Tramp, enhanced by a probably autograph poem.
This brisk biography studies Chaplin’s Tramp—not a scholarly treatise but a lively portrait of a myth that gave modernity a face. Issued in 1931 by Plon in the La grande fable series, the small-format book uses spare, elegant design. Soupault reads the Tramp as emblem of resourceful fragility; between slapstick and melancholy he sketches an ethics of the humble. The quick, precise prose moves in scene-like chapters. For bibliophiles it shows an early Surrealist thinking cinema in prose. This copy is enriched with an inserted autograph poem.
€450
Condition Report:
In-Depth Study
References & Bibliography
Format
In-12 (Duodecimo) approx. 17 × 22 cm
Edition Particulars
Copy accompanied by a probably autograph poem (unsigned, undated).
1
Edition Particulars:
We welcome private inquiries, collaborations with institutions, and acquisition requests. Each message is treated with discretion and respect. We welcome private inquiries, collaborations with institutions, and acquisition requests.
1
Print Run:
Condition Report:
1
Copy Number:
Condition Report:
1
Paper:
Condition Report:
1
Signed:
Condition Report:
Product DETAIL
The book studies the Tramp’s mimicry, rhythm and gestures, linking them to city life, poverty and obstinate hope. Soupault renders film sequences as mini-stories, stressing a poetics of timing and pause. He alternates anecdote with brief analysis and reflections on fame and recognisability. The style is clear and journalistic yet sensitive. The result is a compact portrait that secures the phenomenon for a literary audience.
Desnos, Robert
La Liberté ou l'Amour !
La Liberté ou l'Amour ! by Robert Desnos is a monument of Surrealist literature, presented here in an exceptional binding by master bookbinder Jean de Gonet. This 1927 edition contains the full text, including the notorious passages censored at the time. The work is a feverish exploration of eroticism and freedom, written in the automatic style that Desnos perfected. The combination of Desnos's rebellious text and De Gonet's industrial, architectural aesthetic makes this copy a unique collector's item. Furthermore, it bears the signature of Czech artist Adolf Hoffmeister, adding to its historical significance. For the bibliophile, this book represents the perfect symbiosis between avant-garde literature and innovative bookbinding art. With its dreamlike logic, unsettling eroticism, and atmosphere of veiled desire, this book can evoke Stanley Kubrick’s film Eyes Wide Shut
Book
€3,200
Michaux, Henri
Choix de poèmes
In Choix de poèmes, Michaux’s poetic trajectory is gathered into a compact, portable compass. This édition originale collective was issued by NRF in 1976; the present copy is from the minute head issue of fifteen on vélin pur fil. Miguet’s sober Havana-morocco binding, with panelled frame, marries elegance to rigor—akin to a voice moving between vision and observation. The selection shows the steady pursuit of inner landscapes and linguistic shock. For bibliophiles, luxury paper, original state and atelier binding make a persuasive triad. Provenance from Jacques Dauchez provides a discreet, eloquent seal.
Book
€700
Michaux, Henri
Poteaux d’angles
In Poteaux d’angles, Henri Michaux returns to compact, probing prose balanced between poem and notebook. Issued by L’Herne in 1971, this copy is from the exceedingly scarce head issue on Hollande paper. Miguet’s raspberry-morocco panelled binding lends a mineral poise that suits Michaux’s angular sentences. The brief pieces act as beacons—jottings, sallies, flashes of insight and refusal. For bibliophiles the trio is ideal: original edition, luxury paper, and a fine atelier binding. The Jacques Dauchez provenance seals its pedigree.
Book
€600
Michaux, Henri
Moments
Moments is a late, compact Michaux volume where language probes time in brief surges and pauses. The grey-buffalo Jansenist binding—by Miguet—frames the spare layout and lets the text’s rhythm breathe. The title points to flashes of consciousness: halts, starts, reprises. As the édition originale in NRF’s “Le Point du Jour” series, the book exemplifies postwar bibliophile exactitude: precise setting, generous white, tactile paper. This copy is from the very small head issue on vergé de Hollande. The binding’s discreet elegance heightens reading focus.
