De la typographie et de l’harmonie de la page imprimée. William Morris et son...
De la typographie et de l’harmonie de la page imprimée is a refined fin-de-siècle publication devoted to the art of the printed page. Lucien Pissarro and Charles Ricketts place William Morris at the centre as a reformer of the book, printing and the applied arts. The work belongs to the circles in which the Arts and Crafts movement, private press ideals and the renewed valuation of typography meet. The title makes clear that typography is not treated as a technical accessory, but as an harmony of type, margin, paper and page design. The edition appeared in 1898, in London from Ricketts and in Paris from Floury, standing between English private press culture and French bibliophile reception. This copy belongs to the issue of 250 copies on Arnold handmade laid paper within a total edition of 256 copies. The present errata slip and only slight corner wear make it bibliographically attractive and complete.
Quantity
Pissarro, Lucien
Ricketts, Charles
De la typographie et de l’harmonie de la page imprimée. William Morris et son influence sur les arts et métiers
1898 | Londres; Paris | Ricketts, Floury
A complete Arnold-paper copy in which Pissarro and Ricketts defend the harmony of the modern book page.
De la typographie et de l’harmonie de la page imprimée is a refined fin-de-siècle publication devoted to the art of the printed page. Lucien Pissarro and Charles Ricketts place William Morris at the centre as a reformer of the book, printing and the applied arts. The work belongs to the circles in which the Arts and Crafts movement, private press ideals and the renewed valuation of typography meet. The title makes clear that typography is not treated as a technical accessory, but as an harmony of type, margin, paper and page design. The edition appeared in 1898, in London from Ricketts and in Paris from Floury, standing between English private press culture and French bibliophile reception. This copy belongs to the issue of 250 copies on Arnold handmade laid paper within a total edition of 256 copies. The present errata slip and only slight corner wear make it bibliographically attractive and complete.
€750
Condition Report:
In-Depth Study
References & Bibliography
Format
In-8 (Octavo) approx. 20 × 26 cm
Edition Particulars
One of 250 copies on Arnold handmade laid paper within a total edition of 256; with errata slip and slight wear to corners.
Print Run
256
Paper
Arnold handmade laid paper
Inscription
No inscription
Product DETAIL
The book discusses typography, page composition and the aesthetic coherence of the printed page. William Morris is the central example: his influence on book art, craft and design is described as a turning point in the modern revival of the well-made book. The text does not develop a narrative, but a series of principles concerning type choice, harmony, print quality and the moral value of craft. Pissarro and Ricketts situate printing within the broader Arts and Crafts context, where beauty and utility are not separated. The reader thus receives a compact theoretical and historical plea for the book as a total object. The presence of the errata slip underlines the concern for correction and precision that the text itself defends.
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