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Des cristaux naturels

SKU DESC-002

Des cristaux naturels sets Ponge’s precise, matter-attentive language within a bibliophile framework that heightens sensory focus. The chocolate box-calf binding with a geometric balsa inlay turns the book into a subtly tactile object. Bettencourt’s L’air du temps favors clean typography and fine paper, rendered here in a lucid page design. Modern without showiness, the object discreetly accompanies the reading. As the original 1949 edition, it typifies postwar small-press craftsmanship. The ensemble radiates concentration, material intelligence, and poised proportion.

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Des cristaux naturels
1949 | Saint-Maurice-d’Ételan | Bettencourt, Pierre
An early Bettencourt edition in a refined binding with balsa relief; numbered copy in excellent condition.

Des cristaux naturels sets Ponge’s precise, matter-attentive language within a bibliophile framework that heightens sensory focus. The chocolate box-calf binding with a geometric balsa inlay turns the book into a subtly tactile object. Bettencourt’s L’air du temps favors clean typography and fine paper, rendered here in a lucid page design. Modern without showiness, the object discreetly accompanies the reading. As the original 1949 edition, it typifies postwar small-press craftsmanship. The ensemble radiates concentration, material intelligence, and poised proportion.

€650
Condition Report:
In-Depth Study
References & Bibliography
Format
In-8 (Octavo) approx. 20 × 26 cm
Edition Particulars
One of 150 numbered copies; Miguet binding with balsa composition.
Print Run
150
Copy Number
103
Paper
arches
Inscription
No inscription

Product DETAIL

Ponge examines things with near-mineralogical exactness: description turns into inquiry, metaphor into mechanism. Short prose pieces are sequenced so each lets a single facet spark. The form remains clean and rhythmic; white space participates. The book’s material presence—binding, balsa, slipcase—echoes crystal, structure and sheen. The reader encounters compact, sharply articulated observations. The whole reads as a choreography of precision and thinking aloud.

Ailleurs
Michaux, Henri
Ailleurs

*Ailleurs* is a keystone in Michaux’s imaginary ethnographies—an atlas of inner geographies, issued by NRF in 1948. Miguet’s sober bordeaux morocco binding matches the text’s clarity and restraint. With dry precision and wry humor, Michaux details peoples, rituals, and languages that are both alien and oddly familiar. The airy layout paces attention and thought. This copy belongs to the small head issue on vélin pur fil and is notably fresh. A book that relocates the reader in place—a cartography of the mind.

Book
€1,050
Traduit du silence. Proses
Bousquet, Joë
Traduit du silence. Proses

Traduit du silence. Proses is one of Joë Bousquet’s rare pre-war publications, issued in the poetic series of Les Cahiers du Journal des Poètes. Its title already contains the central paradox of the book: writing as if translated from silence, seclusion and inward intensity. This copy is notable for its deluxe issue on Featherweight fort, numbered with the crowned-heart device, but above all for its signed autograph inscription to Jeanne and James Ducellier. The Ducelliers were among Bousquet’s closest confidants in Carcassonne and belonged to the circle where literature, friendship and surrealism converged. This is therefore not merely an early and refined edition, but a tangible document of a personal and artistic network. The book connects Bousquet’s enclosed room with the broader surrealist constellation of Max Ernst, Paul Éluard, Yves Tanguy and Raymond Roussel.

Book
€250
Ariane
Ribemont-Dessaignes, Georges
Ariane

A remarkable copy of *Ariane*, published in the *Les Cahiers Nouveaux* series, inscribed with a poetic and enigmatic message by Ribemont-Dessaignes to Jacques Matarasso. This deluxe Japan paper edition was elegantly rebound in 1994 by Georges Leroux, in a restrained style that echoes the work’s Dadaist spirit.

Book
€1,100
Au château d'Argol
Gracq, Julien
Au château d'Argol

Julien Gracq’s debut novel, issued by José Corti, sets a gothic castle on the Breton coast as the stage for a charged, almost dream-logic encounter between three figures. The prose is musical and image-rich, favouring symbolic landscapes and metaphysical weather. Born near Surrealism yet distinctly independent, the book establishes Gracq’s lucid enchantment from the start. For bibliophiles this is a key title: an early Corti publication, scarce in appealing condition, and the opening note of a major twentieth-century voice. Its limited print-run and initially slow reception add to the sense of discovery. This copy is on publisher’s stock.

Book
€610
Studies & Dossiers
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When a Signature Becomes Provenance

A signature confirms; a dedication connects; an association copy tells a story.

a2528886ab741f214e81c180bed24f0dd3fc06e8.png
The Fragile Meaning of ‘Complet’

In auction descriptions, “complete” often sounds reassuring — but it is only meaningful when verified against the colophon, the justification, and the bibliography. For The Hidden Page, clarity begins where vague market language ends.

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Size does (not) matter

Size does (not) matter: The Paradoxical Power of Format in Avant-Garde Book Art

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