top of page

Entretiens 1913-1952

SKU ENTI-001

*Entretiens 1913-1952* is a major document of André Breton’s intellectual autobiography and of the history of Surrealism. In conversations with André Parinaud and several other interviewers, Breton looks back on almost four decades of literary, artistic and political activity. The spoken format gives his recollections an immediacy less evident in his manifestos and theoretical essays. The book was published by Gallimard in 1952 as part of the *Le Point du Jour* series. This copy belongs to the large-paper issue and was printed on Lafuma-Navarre pure rag vellum. Numbered 23, it is one of eighty numbered copies on the second paper. Its signed Devauchelle binding adds a distinctly bibliophilic dimension while preserving the original illustrated wrappers.

Quantity

Entretiens 1913-1952
1952 | Paris | Nrf Gallimard
A major first edition in which Breton reconstructs both his own history and that of Surrealism through conversation. Number 23 combines genuine large-paper status with an elegant signed binding by Devauchelle.

*Entretiens 1913-1952* is a major document of André Breton’s intellectual autobiography and of the history of Surrealism. In conversations with André Parinaud and several other interviewers, Breton looks back on almost four decades of literary, artistic and political activity. The spoken format gives his recollections an immediacy less evident in his manifestos and theoretical essays. The book was published by Gallimard in 1952 as part of the *Le Point du Jour* series. This copy belongs to the large-paper issue and was printed on Lafuma-Navarre pure rag vellum. Numbered 23, it is one of eighty numbered copies on the second paper. Its signed Devauchelle binding adds a distinctly bibliophilic dimension while preserving the original illustrated wrappers.

€550
Condition Report:
In-Depth Study
References & Bibliography
Format
In-12 (Duodecimo) approx. 17 × 22 cm
Edition Particulars
One of 80 numbered copies on Lafuma-Navarre pure rag vellum, the second paper.
Print Run
106
Copy Number
No. 23
Paper
vélin pur fil des Papeteries Lafuma-Navarre
Inscription
No inscription

Product DETAIL

The book gathers chronologically arranged conversations in which André Breton reconstructs his development from 1913 to 1952. He discusses his literary formation, his encounters with figures such as Guillaume Apollinaire and his involvement with Dada. He then recounts the emergence of Surrealism, its manifestos, the group’s activities and the disputes that led to successive breaks and realignments. His political commitments, the war years, his time outside France and the movement’s postwar reorientation are also addressed. The interviewers question him about poetry, visual art, automatic writing, dreams, love, revolt and esoteric thought. Combining recollection, polemic and retrospective interpretation, the volume is both a personal narrative and a history of Surrealism told by its principal spokesman.

Ailleurs
Michaux, Henri
Ailleurs

*Ailleurs* is a keystone in Michaux’s imaginary ethnographies—an atlas of inner geographies, issued by NRF in 1948. Miguet’s sober bordeaux morocco binding matches the text’s clarity and restraint. With dry precision and wry humor, Michaux details peoples, rituals, and languages that are both alien and oddly familiar. The airy layout paces attention and thought. This copy belongs to the small head issue on vélin pur fil and is notably fresh. A book that relocates the reader in place—a cartography of the mind.

Book
€1,050
Ariane
Ribemont-Dessaignes, Georges
Ariane

A remarkable copy of *Ariane*, published in the *Les Cahiers Nouveaux* series, inscribed with a poetic and enigmatic message by Ribemont-Dessaignes to Jacques Matarasso. This deluxe Japan paper edition was elegantly rebound in 1994 by Georges Leroux, in a restrained style that echoes the work’s Dadaist spirit.

Book
€1,100
Au château d'Argol
Gracq, Julien
Au château d'Argol

Julien Gracq’s debut novel, issued by José Corti, sets a gothic castle on the Breton coast as the stage for a charged, almost dream-logic encounter between three figures. The prose is musical and image-rich, favouring symbolic landscapes and metaphysical weather. Born near Surrealism yet distinctly independent, the book establishes Gracq’s lucid enchantment from the start. For bibliophiles this is a key title: an early Corti publication, scarce in appealing condition, and the opening note of a major twentieth-century voice. Its limited print-run and initially slow reception add to the sense of discovery. This copy is on publisher’s stock.

Book
€610
Au travail ma chérie
Dominique Fourcade, Pierre Buraglio · Buraglio, Pierre
Au travail ma chérie

First volume in the Préférence series: a focused encounter between Dominique Fourcade and Pierre Buraglio. The Imprimerie nationale produced an exemplary typographic edition on Rives wove, limited to 100 copies signed by both. Buraglio “illuminates” the book with spare, hand-made interventions—strokes, contours, accents—that let the page breathe. The plain wrappers in a sturdy case stress the workshop feel. This copy bears a presentation to Jacques Dauchez, adding a vivid bibliophilic provenance. A scarce, exact book where typography, gesture, and poetry hold each other in balance.

Book
€725
Studies & Dossiers
a2528886ab741f214e81c180bed24f0dd3fc06e8.png
When a Signature Becomes Provenance

A signature confirms; a dedication connects; an association copy tells a story.

a2528886ab741f214e81c180bed24f0dd3fc06e8.png
The Fragile Meaning of ‘Complet’

In auction descriptions, “complete” often sounds reassuring — but it is only meaningful when verified against the colophon, the justification, and the bibliography. For The Hidden Page, clarity begins where vague market language ends.

a2528886ab741f214e81c180bed24f0dd3fc06e8.png
The Avant-Garde and the Illustrated Word

How the Twentieth Century Recast the Book as an Artistic and Ideological Medium

bottom of page