Hommage à Roger Lacourière; pêcheur de cuivre
This exceptional work is a tribute to Roger Lacourière, a prominent figure in Parisian graphic arts, renowned for his mastery of printing illustrated books. It brings together an impressive array of the greatest artists of the 20th century, including Picasso, Miró, and Max Ernst, each contributing an original etching or drypoint. The publication, orchestrated by the legendary Iliazd, is a pinnacle of bibliophily and artist's books, where the symbiosis between text and image is paramount. This volume embodies not only an artistic collaboration of unparalleled scope but also a monument to the artisanal perfection of the Lacourière workshops. The meticulous execution, from typography to the quality of the prints, makes it a highly sought-after collector's item for modern art enthusiasts. It is a rare example of an illustrated book that is both an artistic document and a masterpiece of book production.
Quantity
Iliazd
ILLUSTRATORS
ILLUSTRATORS
ILLUSTRATORS
Hommage à Roger Lacourière; pêcheur de cuivre
1968 | Paris | Le Degré Quarante Et Un [i.e. Iliazd]
An exceptional tribute to Roger Lacourière, this masterpiece brings together 13 original prints by 20th-century grand masters in a rare edition on Japan paper.
This exceptional work is a tribute to Roger Lacourière, a prominent figure in Parisian graphic arts, renowned for his mastery of printing illustrated books. It brings together an impressive array of the greatest artists of the 20th century, including Picasso, Miró, and Max Ernst, each contributing an original etching or drypoint. The publication, orchestrated by the legendary Iliazd, is a pinnacle of bibliophily and artist's books, where the symbiosis between text and image is paramount. This volume embodies not only an artistic collaboration of unparalleled scope but also a monument to the artisanal perfection of the Lacourière workshops. The meticulous execution, from typography to the quality of the prints, makes it a highly sought-after collector's item for modern art enthusiasts. It is a rare example of an illustrated book that is both an artistic document and a masterpiece of book production.
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Condition Report:
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References & Bibliography
Format
Oblong
Edition Particulars
1 of 50 copies on old Japan paper, signed by the artists and Iliazd, including 3 color etchings and 10 black and white etchings.
Print Run
75
Copy Number
41
Paper
Vieux Japon
Inscription
Signed by the Author,Signed by the Illustrator
1
Edition Particulars:
We welcome private inquiries, collaborations with institutions, and acquisition requests. Each message is treated with discretion and respect. We welcome private inquiries, collaborations with institutions, and acquisition requests.
1
Print Run:
Condition Report:
1
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Product DETAIL
The book "Hommage à Roger Lacourière" is a collection of graphic works and texts that express profound appreciation for Roger Lacourière's influence in the world of art books. It features a preface by Iliazd, followed by a text by Picasso, and then a series of original etchings and drypoints by prominent artists. The central themes are artistic collaboration, craftsmanship in the graphic arts, and the recognition of a master printer. The work serves as a testament to the artistic movements and figures that dominated the mid-20th century, highlighting the crucial role of the printer in realizing the artist's vision. It functions as a cultural document illustrating the connections between literature and visual arts.
Char, Rene · Stael, Nicolas de
Arrière-histoire du poème pulvérisé
*Arrière-histoire du poème pulvérisé* is a later illustrated edition of a key text in which René Char looks back on the genesis and inner background of *Le Poème pulvérisé*. Published in 1972 by Imprimerie Union, it opens with a colour frontispiece by Nicolas de Staël. The pairing of Char and de Staël is especially charged: two post-war voices, each seeking concentration, clarity, and rupture in his own medium. This copy is one of only six hors commerce copies on Arches and is signed. The autograph presentation inscription to Doctor Marcel Zara, with poetic quotation and October 1972 dating, makes it a deeply personal copy.
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Some Los Angeles Apartments is one of Ed Ruscha’s iconic early artist’s books, devoted to the banal architecture of Los Angeles. Instead of monuments, drama or urban glamour, Ruscha shows ordinary apartment buildings, coolly photographed and without visible sentimentality. This second edition of 1970, printed in 3,000 unnumbered copies, confirms the wider circulation of his conceptual book form. The small format, sober wrappers and original glassine wrapper make it an essential Ruscha object.
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Char, Rene · Pierre Andre Benoit (PAB)
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Les Dentelles de Montmirail is one of the characteristic small masterpieces born of the collaboration between René Char and PAB. It was published in 1960 between L’Isle-sur-Sorgue and Alès, two places that immediately evoke the geography of Char and that of Pierre André Benoit. The edition joins Char’s brief, aphoristic lyric voice to five natural impressions from Montmirail, so that text and matter quite literally meet. With PAB, poetry often takes on an intimate, almost handmade form, and that quality is especially palpable here. The limited issue on Arches heightens the book’s discreet yet unmistakable bibliophile character. This copy gains further importance from the autograph inscription to Dr Marcel Zara, far more than a routine dedication and almost readable as a small autonomous poem. For collectors, it is an exemplary PAB production in which landscape, trace, inscription, and poem become a single object.
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René Char, Georges Braque · Lachaud, Mariette · Pierre Andre Benoit (PAB)
Ainsi va l'amitié
What makes this copy especially memorable is not only its tiny limitation but the way it fixes three friendships at once: that between Char and Braque, that between Char and PAB, and that of all of them with the image that outlives them. The eight original photographs are not an illustrative supplement but the true bearers of presence; they preserve gazes, workspaces, and silences. The fact that PAB and Mariette Lachaud signed this copy gives it an almost confidential status, as though the circle of makers were still present within the book. In such editions, bibliophily becomes more than rarity alone: it becomes a form of shared memory.
