L’Afrique des impressions. Petit guide pratique à l’usage du voyageur
L’Afrique des impressions is Jean Ferry’s pataphysical guide to Raymond Roussel’s imaginary Africa, published by the Collège de ’Pataphysique in 1967. Its title openly plays on Roussel’s Impressions d’Afrique, yet transforms exegesis into travel writing, scholarship into itinerary and reading into expedition. Ferry approaches Roussel not as an outside commentator, but as an initiate of verbal machinery, secret procedures and comic precision. This copy belongs to the rare group of 166 “exemplaires capitaux” on Authentique Papier Tropical du Ponukélé, and it duly contains the original drawing and autograph material required for that deluxe issue. Its dedication to Raphaël Ossona de Mendez places it within the living network of the Collège rather than in a merely external provenance. The accompanying manuscript note on codes, letters and the number 472 further heightens its Roussellian resonance. As a bibliophile object, it is at once guidebook, homage, private signal and pataphysical field instrument.
Quantity
Ferry, Jean
ILLUSTRATORS
ILLUSTRATORS
ILLUSTRATORS
L’Afrique des impressions. Petit guide pratique à l’usage du voyageur
1967 | Paris | Collège de ’Pataphysique
A deluxe Roussellian copy with an original Ferry drawing, autograph material and internal pataphysical provenance.
L’Afrique des impressions is Jean Ferry’s pataphysical guide to Raymond Roussel’s imaginary Africa, published by the Collège de ’Pataphysique in 1967. Its title openly plays on Roussel’s Impressions d’Afrique, yet transforms exegesis into travel writing, scholarship into itinerary and reading into expedition. Ferry approaches Roussel not as an outside commentator, but as an initiate of verbal machinery, secret procedures and comic precision. This copy belongs to the rare group of 166 “exemplaires capitaux” on Authentique Papier Tropical du Ponukélé, and it duly contains the original drawing and autograph material required for that deluxe issue. Its dedication to Raphaël Ossona de Mendez places it within the living network of the Collège rather than in a merely external provenance. The accompanying manuscript note on codes, letters and the number 472 further heightens its Roussellian resonance. As a bibliophile object, it is at once guidebook, homage, private signal and pataphysical field instrument.
€750
Condition Report:
In-Depth Study
References & Bibliography
Format
In-8 (Octavo) approx. 20 × 26 cm
Edition Particulars
One of 166 exemplaires capitaux on Authentique Papier Tropical du Ponukélé, with the original drawing “Une côte dangereuse – 1er projet”, signed Jean Ferry 66, autograph inscription to Monsieur Raphaël Ossona de Mendez and a loose handwritten note concerning a code.
Print Run
1111
Copy Number
No. 41
Paper
Authentique Papier Tropical du Ponukélé
Inscription
Envoi
1
Edition Particulars:
We welcome private inquiries, collaborations with institutions, and acquisition requests. Each message is treated with discretion and respect. We welcome private inquiries, collaborations with institutions, and acquisition requests.
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Condition Report:
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Product DETAIL
The book is conceived as a practical guide for the traveller through Raymond Roussel’s world, with Impressions d’Afrique treated as an imaginary continent. Ferry does not approach Roussel’s Africa as a realistic destination, but as a textual territory opened by names, procedures, routes, figures and correspondences. The reader is led through maps, diagrams, commentaries and mock travel instructions, as though literature itself were a field for exploration. The tone moves between learned annotation, guidebook pastiche and pataphysical seriousness. There is no single linear plot; instead, the book offers a method of reading, showing how Roussel’s inventions may be approached, crossed and rearranged. The added drawing, “Une côte dangereuse – 1er projet”, answers this fictional cartography and turns the copy into something close to a personal travel dossier. The whole is a playful yet precise introduction to Roussel’s imaginative universe and to Ferry’s own art of interpretation.
Bataille, Georges
La littérature et le mal
La littérature et le mal is one of Georges Bataille’s most penetrating books on the moral and metaphysical stakes of literature. In these essays he examines how major writers approach the boundary between law and transgression, guilt and sovereignty, eroticism and destruction. The volume brings together Emily Brontë, Baudelaire, Michelet, Blake, Sade, Proust, Kafka and Genet in a radical reading of literature as an experience of the forbidden. For Bataille, the literary work is not a polite mirror of morality, but a place where human beings encounter their most dangerous freedom. This copy is remarkable for its paper issue: one of only 25 on vélin pur fil Lafuma-Navarre, the sole large-paper issue.
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€1,600
Alechinsky, Pierre
Far Rockaway
Far Rockaway is a rare first edition by Pierre Alechinsky published by Fata Morgana, a press especially attuned to the meeting of literature, image and bibliophile restraint. The title refers to Far Rockaway, a place-name both concrete and almost dreamlike, as though a geographical point had become a mental edge-zone. Alechinsky, shaped by Cobra yet always independent in his writing of line and sign, brings together here his world of travel, memory, margin and graphic rhythm. The 1977 edition belongs to Fata Morgana’s refined small-scale objects, where paper choice and typographic restraint heighten the relation between text and image. This copy is especially desirable because it belongs to the tirage de tête: one of only 30 numbered copies on Ingres d’Arches. Number 26 therefore stands clearly above the ordinary issue. For a collector of Alechinsky, it is a small but important bibliophile object from his mature period.
Book
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Char, Rene
Nouvelles Hébrides, Nouvelle
Guinée
*Nouvelles Hébrides, Nouvelle Guinée* is a very rare first PAB edition by René Char, printed in Alès in 1962. As often with Pierre-André Benoît, the book’s intensity lies in its sobriety, small format, and extremely limited edition. The text would later be included in the second edition of *Recherche de la base et du sommet*, giving this first edition a special place in Char’s textual history. This copy is one of 44 on Arches, signed by both author and publisher. The inscription to Edmée Maus and her bookplate make it a meaningful association copy.
Book
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Pissarro, Lucien · Ricketts, Charles
De la typographie et de l’harmonie de la page imprimée. William Morris et son influence sur les arts et métiers
De la typographie et de l’harmonie de la page imprimée is a refined fin-de-siècle publication devoted to the art of the printed page. Lucien Pissarro and Charles Ricketts place William Morris at the centre as a reformer of the book, printing and the applied arts. The work belongs to the circles in which the Arts and Crafts movement, private press ideals and the renewed valuation of typography meet. The title makes clear that typography is not treated as a technical accessory, but as an harmony of type, margin, paper and page design. The edition appeared in 1898, in London from Ricketts and in Paris from Floury, standing between English private press culture and French bibliophile reception. This copy belongs to the issue of 250 copies on Arnold handmade laid paper within a total edition of 256 copies. The present errata slip and only slight corner wear make it bibliographically attractive and complete.
