L'Union Libre
L'Union Libre by André Breton, one of the most representative and influential poems of his work, is a litany of free verse that takes the reader on a surrealist journey through love and desire. This rare work, originally published anonymously, is considered a key text of surrealism and shows the essence of the movement. The poem, dedicated to his beloved and muse Suzanne Muzard, transcends traditional poetry and transforms the written word into a stream of conscious and unconscious images. This particular copy, numbered 1, is one of only 10 on japon nacré and thus represents the most luxurious and rare version of the first printing. The limited edition publication illustrates the exclusivity often associated with avant-garde publications of the time.
Quantity
Breton, André
L'Union Libre
1931 | Paris | s.e. (sans éditeur)
This rare and important deluxe copy, number 1 of 10, of one of André Breton's most important poems is a must-have for any collection on surrealism.
L'Union Libre by André Breton, one of the most representative and influential poems of his work, is a litany of free verse that takes the reader on a surrealist journey through love and desire. This rare work, originally published anonymously, is considered a key text of surrealism and shows the essence of the movement. The poem, dedicated to his beloved and muse Suzanne Muzard, transcends traditional poetry and transforms the written word into a stream of conscious and unconscious images. This particular copy, numbered 1, is one of only 10 on japon nacré and thus represents the most luxurious and rare version of the first printing. The limited edition publication illustrates the exclusivity often associated with avant-garde publications of the time.
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Edition Particulars
One of 10 deluxe copies on japon nacré, numbered from 1 to 10. The remaining copies are on mat grey coated paper.
Print Run
75
Copy Number
1
Paper
Japon nacré
Product DETAIL
L'Union Libre, a poem in free verse, is a hymn to love. The work is an ode to the author's beloved, Suzanne Muzard. The poem is interspersed with intense and dreamlike images that blur the boundaries of reality. The themes of love, desire, and the power of imagination are central. The text does not follow a strict logical structure, but flows as a stream of associations, typical of the surrealist approach to writing.

Ribemont-Dessaignes, Georges
Ariane
A remarkable copy of *Ariane*, published in the *Les Cahiers Nouveaux* series, inscribed with a poetic and enigmatic message by Ribemont-Dessaignes to Jacques Matarasso. This deluxe Japan paper edition was elegantly rebound in 1994 by Georges Leroux, in a restrained style that echoes the work’s Dadaist spirit.
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Book
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Aragon, Louis
Anicet ou le panorama
With *Anicet ou le panorama* (Paris, NRF, 1921), Louis Aragon delivers an early, deliberately hybrid novel written at the hinge between Dada disruption and the rise of Surrealism. The book proceeds by visions and sequences—a “panorama” in which identity, desire, and the act of looking continually shift. In this bibliophile form (“tirage de tête” reserved for NRF bibliophiles), the novel also becomes a collectible object intended for a small inner circle. This copy is specifically designated “pour le Dr. Sourdel” and numbered XLVIII, underscoring the selective, personalized nature of the issue. Published under the NRF imprint, Aragon is anchored in the literary center while keeping the book’s formal audacity intact. A key item for understanding the nervous modernity of the early 1920s.
Book
€1,150

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Traduit du silence. Proses
Traduit du silence. Proses is one of Joë Bousquet’s rare pre-war publications, issued in the poetic series of Les Cahiers du Journal des Poètes. Its title already contains the central paradox of the book: writing as if translated from silence, seclusion and inward intensity. This copy is notable for its deluxe issue on Featherweight fort, numbered with the crowned-heart device, but above all for its signed autograph inscription to Jeanne and James Ducellier. The Ducelliers were among Bousquet’s closest confidants in Carcassonne and belonged to the circle where literature, friendship and surrealism converged. This is therefore not merely an early and refined edition, but a tangible document of a personal and artistic network. The book connects Bousquet’s enclosed room with the broader surrealist constellation of Max Ernst, Paul Éluard, Yves Tanguy and Raymond Roussel.
Book
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