Le Cœur à gaz
This spectacular bibliophile edition of *Le Cœur à gaz* merges poetry and avant-garde theatre in a visually striking object. Illustrated with twelve lithographs by Sonia Delaunay, including seven full-page plates, it showcases the collaboration between Dadaist poet Tristan Tzara and modernist artist Delaunay. The prints are based on her 1923 costume designs, evoking the radical spirit of the time.
Quantity
Tzara, Tristan
Delaunay, Sonia
Le Cœur à gaz
1977 | Paris | Jacques Damase
Un des 25 exemplaires sur Arches, réservé aux collaborateurs et signé par l’artiste.
This spectacular bibliophile edition of *Le Cœur à gaz* merges poetry and avant-garde theatre in a visually striking object. Illustrated with twelve lithographs by Sonia Delaunay, including seven full-page plates, it showcases the collaboration between Dadaist poet Tristan Tzara and modernist artist Delaunay. The prints are based on her 1923 costume designs, evoking the radical spirit of the time.
€3,000
Condition Report:
In-Depth Study
References & Bibliography
Format
In-folio (Folio) approx. 30 × 40 cm
Edition Particulars
One of 25 copies in Roman numerals, on Arches, signed.
Print Run
150
Paper
Arches à la forme
Inscription
Signed by the Illustrator
Product DETAIL
A short, absurdist play by Tzara, written for a Dada evening and known for its anti-theatrical style. It challenges conventions and critiques traditional dramaturgy.

Char, Rene · Stael, Nicolas de
Arrière-histoire du poème pulvérisé
*Arrière-histoire du poème pulvérisé* is a later illustrated edition of a key text in which René Char looks back on the genesis and inner background of *Le Poème pulvérisé*. Published in 1972 by Imprimerie Union, it opens with a colour frontispiece by Nicolas de Staël. The pairing of Char and de Staël is especially charged: two post-war voices, each seeking concentration, clarity, and rupture in his own medium. This copy is one of only six hors commerce copies on Arches and is signed. The autograph presentation inscription to Doctor Marcel Zara, with poetic quotation and October 1972 dating, makes it a deeply personal copy.
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Waldberg, Patrick · Ernst, Max
Aux Petits Agneaux
A artist’s book resulting from the collaboration between writer Patrick Waldberg and surrealist master Max Ernst. This first edition includes 19 original lithographs printed on luxurious vélin d'Arches. Published in Paris in 1971 in a limited edition of 174 copies signed by both author and artist, and presented in a custom publisher’s box.
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Bédouin, Jean-Louis · Hallart, Guy
L'arbre descend du singe
L'Arbre descend du singe is a beautifully illustrated edition that highlights the collaboration between the poet Jean-Louis Bedouin and the artist Guy Hallart. The work, published in a limited edition, is characterized by a rich dialogue between poetry and image, where the visual compositions reflect the dreamy and often cryptic nature of Bedouin's texts. The book is a tangible testament to the artistic symbiosis between the two creators and offers a unique insight into a creative dialogue from the mid-1970s.
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Arriver à se réveiller
A rare first edition of Arriver à se réveiller, written by Henri Michaux in the tremulous post-war years. The text unfolds as an inward journey toward lucidity, where sleep and waking mirror each other. Printed and published by Pierre Bettencourt in his own workshop, the edition’s small run preserves the work’s intimacy. The title-page vignette, a linocut by Bettencourt, sets a spare, rhythmic visual key that amplifies Michaux’s vigilant, vulnerable tone. This copy is handsomely bound in brown morocco with balsa boards by Miguet, a tactile nod to lightness under tension. For bibliophiles, it is an exemplary union of poetry, craft, and experiment. The volume embodies the independence of the post-war small press and Michaux’s radical sensitivity.
































































