Le jardin exalté
€640.00
A late, lucid Michaux from Fata Morgana: compact leaves where the garden widens into a mental space. The prose is dry and musical; observation turns to breath, detail to rhythm. In this luxury copy the text gains an architecture of calm—burgundy morocco with panelled frame, slipcased, by Miguet. The small 12mo heightens intensity; each page reads like its own plot. The Amatruda laid paper lends grain and a faint sheen to the sentences. Near fine condition renders the copy especially appealing to bibliophiles.
Quantity
Michaux, Henri
ILLUSTRATORS
ILLUSTRATORS
ILLUSTRATORS
Le jardin exalté
1983 | Montpellier | Fata Morgana
A restrained, crystalline booklet that cultivates attention; the Miguet binding grants lasting poise.
A late, lucid Michaux from Fata Morgana: compact leaves where the garden widens into a mental space. The prose is dry and musical; observation turns to breath, detail to rhythm. In this luxury copy the text gains an architecture of calm—burgundy morocco with panelled frame, slipcased, by Miguet. The small 12mo heightens intensity; each page reads like its own plot. The Amatruda laid paper lends grain and a faint sheen to the sentences. Near fine condition renders the copy especially appealing to bibliophiles.
€640
Condition Report:
In-Depth Study
References & Bibliography
Format
In-12 (Duodecimo) approx. 17 × 22 cm
Edition Particulars
One of 75 copies on Amatruda wove; near fine; luxury binding by Miguet.
Print Run
75
Copy Number
15
Paper
vergé Amatruda
Inscription
No inscription
1
Edition Particulars:
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1
Print Run:
Condition Report:
1
Copy Number:
Condition Report:
1
Paper:
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1
Signed:
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Product DETAIL
A suite of brief prose pieces and notes on growth, light, and inner measure. The garden is not a subject but a tool—an arena for training attention. The tone is clear, at times ascetic, with sudden spurts that wake the senses. Repetitions and reversals weave a gentle rhythm. It reads like a meditative walk from plot to plot.
Michaux, Henri
Choix de poèmes
In Choix de poèmes, Michaux’s poetic trajectory is gathered into a compact, portable compass. This édition originale collective was issued by NRF in 1976; the present copy is from the minute head issue of fifteen on vélin pur fil. Miguet’s sober Havana-morocco binding, with panelled frame, marries elegance to rigor—akin to a voice moving between vision and observation. The selection shows the steady pursuit of inner landscapes and linguistic shock. For bibliophiles, luxury paper, original state and atelier binding make a persuasive triad. Provenance from Jacques Dauchez provides a discreet, eloquent seal.
Book
€700
Michaux, Henri
Moments
Moments is a late, compact Michaux volume where language probes time in brief surges and pauses. The grey-buffalo Jansenist binding—by Miguet—frames the spare layout and lets the text’s rhythm breathe. The title points to flashes of consciousness: halts, starts, reprises. As the édition originale in NRF’s “Le Point du Jour” series, the book exemplifies postwar bibliophile exactitude: precise setting, generous white, tactile paper. This copy is from the very small head issue on vergé de Hollande. The binding’s discreet elegance heightens reading focus.
Book
€960
Michaux, Henri
Les ravagés
Les ravagés is a late, taut volume in which Michaux probes inner devastation through brief, charged passages. The taupe box-calf Jansenist binding—plain, unadorned—mirrors the text’s austerity and lends the bibliophile object a quiet weight. Fata Morgana’s lucid typography respects the prose’s breathing. As the édition originale, this copy belongs to the very scarce head issue on Arches. The slipcase by Miguet confirms the material care. An intense work where wound, recovery, and interior mapping are handled with surgical poise.
Book
€650
Michaux, Henri
Bras cassé
Bras cassé is a compact, scarce edition in which Michaux’s taut prose-poetry uses bodily fracture as a thinking figure. Issued as loose sheets, the book encourages a fragmentary, rhythmic reading—each page an autonomous pulse. Fata Morgana’s restrained typography conducts rather than dampens the intensity. This is the original 1973 edition, with an exceedingly small head issue on Japan paper. Treille’s chemise and slipcase frame the work as an artist’s object. A model bibliophile format where material and voice converge.
