Le Septième chant. La Mort d’Isidore Ducasse
With *Le Septième chant. La Mort d’Isidore Ducasse*, Alain Jouffroy composes an incantatory elegy to the tutelary figure of Lautréamont. Issued in 1974 by the Société internationale d’art du XXe siècle, the book is enriched with four original etchings and aquatints by André Masson. The frontispiece, printed in red, sets a fiery, visionary, corporeal tone. Large in scale, issued as loose leaves in wrappers with chemise and slipcase, it belongs to the grand tradition of the livre d’artiste. The encounter between Jouffroy’s ardent prose and Masson’s suggestive line is exemplary. For the bibliophile this is a finely balanced conversation between text and image, executed with care and anchored by a strictly limited edition.
Quantity
Jouffroy, Alain
Masson, André
Le Septième chant. La Mort d’Isidore Ducasse
1974 | Paris | Société internationale d’art du XXe siècle
A rare and exact duet of word and image in which a key modern figure is made to glow anew. This copy combines signatures, numbering and excellent condition with striking graphic force. A benchmark piece for any collection of the French livre d’artiste.
With *Le Septième chant. La Mort d’Isidore Ducasse*, Alain Jouffroy composes an incantatory elegy to the tutelary figure of Lautréamont. Issued in 1974 by the Société internationale d’art du XXe siècle, the book is enriched with four original etchings and aquatints by André Masson. The frontispiece, printed in red, sets a fiery, visionary, corporeal tone. Large in scale, issued as loose leaves in wrappers with chemise and slipcase, it belongs to the grand tradition of the livre d’artiste. The encounter between Jouffroy’s ardent prose and Masson’s suggestive line is exemplary. For the bibliophile this is a finely balanced conversation between text and image, executed with care and anchored by a strictly limited edition.
€750
Condition Report:
In-Depth Study
References & Bibliography
Format
Petit in-Folio
Edition Particulars
One of 100 copies without the separate suite, signed by the author and the illustrator.
Print Run
210
Copy Number
No. 80
Paper
vélin d’Arches
Inscription
Signed by the Author,Signed by the Illustrator
Product DETAIL
Jouffroy addresses Isidore Ducasse, known as Lautréamont, as a pivot of modern imagination. In dense fragments he shifts between praise, critique and dream, giving the rhetoric of insubordination and metamorphosis a liturgical cadence. Ducasse’s death becomes not an end but a source from which visions of violence and tenderness rise. Ample typography lets the plates breathe, so that images act as echoes and portents throughout the reading. The result is a hybrid form—a poetic essay nourished by art history and by the nocturnal side of language. The text reads like a rite guiding the reader from Maldoror’s shadows toward a precise new attention.

Char, Rene · Stael, Nicolas de
Arrière-histoire du poème pulvérisé
*Arrière-histoire du poème pulvérisé* is a later illustrated edition of a key text in which René Char looks back on the genesis and inner background of *Le Poème pulvérisé*. Published in 1972 by Imprimerie Union, it opens with a colour frontispiece by Nicolas de Staël. The pairing of Char and de Staël is especially charged: two post-war voices, each seeking concentration, clarity, and rupture in his own medium. This copy is one of only six hors commerce copies on Arches and is signed. The autograph presentation inscription to Doctor Marcel Zara, with poetic quotation and October 1972 dating, makes it a deeply personal copy.
Illustrated Book
€920

Waldberg, Patrick · Ernst, Max
Aux Petits Agneaux
A artist’s book resulting from the collaboration between writer Patrick Waldberg and surrealist master Max Ernst. This first edition includes 19 original lithographs printed on luxurious vélin d'Arches. Published in Paris in 1971 in a limited edition of 174 copies signed by both author and artist, and presented in a custom publisher’s box.
Illustrated Book
€2,200

Bédouin, Jean-Louis · Hallart, Guy
L'arbre descend du singe
L'Arbre descend du singe is a beautifully illustrated edition that highlights the collaboration between the poet Jean-Louis Bedouin and the artist Guy Hallart. The work, published in a limited edition, is characterized by a rich dialogue between poetry and image, where the visual compositions reflect the dreamy and often cryptic nature of Bedouin's texts. The book is a tangible testament to the artistic symbiosis between the two creators and offers a unique insight into a creative dialogue from the mid-1970s.
Illustrated Book
€700

Michaux, Henri · Bettencourt, Pierre
Arriver à se réveiller
A rare first edition of Arriver à se réveiller, written by Henri Michaux in the tremulous post-war years. The text unfolds as an inward journey toward lucidity, where sleep and waking mirror each other. Printed and published by Pierre Bettencourt in his own workshop, the edition’s small run preserves the work’s intimacy. The title-page vignette, a linocut by Bettencourt, sets a spare, rhythmic visual key that amplifies Michaux’s vigilant, vulnerable tone. This copy is handsomely bound in brown morocco with balsa boards by Miguet, a tactile nod to lightness under tension. For bibliophiles, it is an exemplary union of poetry, craft, and experiment. The volume embodies the independence of the post-war small press and Michaux’s radical sensitivity.
Illustrated Book
€680

When a Signature Becomes Provenance
A signature confirms; a dedication connects; an association copy tells a story.

The Fragile Meaning of ‘Complet’
In auction descriptions, “complete” often sounds reassuring — but it is only meaningful when verified against the colophon, the justification, and the bibliography. For The Hidden Page, clarity begins where vague market language ends.

The Avant-Garde and the Illustrated Word
How the Twentieth Century Recast the Book as an Artistic and Ideological Medium








