Les yeux fertiles. Avec un portrait et quatre illustrations par Pablo Picasso.
€580.00
A touchstone of Surrealism in which Éluard’s poems acquire a tender precision beside Picasso’s luminous line. This original edition unites poem and image on an intimate scale: a frontispiece portrait and four full-page compositions accompany the text without overwhelming it. The wraparound band, with its aphoristic line, weighs utility against the irreducible need for imagination. The poet–painter collaboration crystallises a fertile 1930s friendship. For bibliophiles, it is a model GLM production, sober, elegant, and exacting.
Quantity
Éluard, Paul
Picasso, Pablo
Les yeux fertiles. Avec un portrait et quatre illustrations par Pablo Picasso.
1936 | Paris | GLM (Guy Lévis-Mano)
A rare, tightly focused meeting of text and image that preserves the edition’s original restraint. For readers of the Éluard–Picasso dialogue, this is a keystone.
A touchstone of Surrealism in which Éluard’s poems acquire a tender precision beside Picasso’s luminous line. This original edition unites poem and image on an intimate scale: a frontispiece portrait and four full-page compositions accompany the text without overwhelming it. The wraparound band, with its aphoristic line, weighs utility against the irreducible need for imagination. The poet–painter collaboration crystallises a fertile 1930s friendship. For bibliophiles, it is a model GLM production, sober, elegant, and exacting.
€580
Condition Report:
In-Depth Study
References & Bibliography
Format
In-12 (Duodecimo) approx. 17 × 22 cm
Edition Particulars
One of 1440 on tinted alfa paper; numbered copy 672; complete with the wraparound band.
Print Run
1500
Copy Number
672
Paper
Alfa teinté
1
Edition Particulars:
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1
Print Run:
Condition Report:
1
Copy Number:
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Paper:
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Product DETAIL
The volume gathers poems that celebrate the beloved and the act of seeing. Sections such as La Barre d’appui and Grand air set rhythms of desire, openness, and motion. The tone is limpid yet dreamlike, images slide recur and shift. Gaze becomes substance as if words themselves gave off light. The plates act as pauses and counterpoints that guide the reader.

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