Légitime défense.
€500.00
"Légitime défense" is a pivotal manifesto by the French surrealist poet and theorist André Breton. Published in September 1926, the work marks a significant turning point in the history of surrealism. It is a fierce defense of the surrealist movement against criticism, particularly from Pierre Naville, and simultaneously a radical reflection on the position of the intellectual in society. Breton defends the autonomy of the artist while also emphasizing the necessity of social and political engagement. This manifesto illustrates the tension and complex relationship between the artistic and political ideals that characterized the surrealist movement from its inception. It is a document of great historical value that exposes the internal struggles and ideological shifts within surrealism.
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Breton, André
ILLUSTRATORS
ILLUSTRATORS
ILLUSTRATORS
Légitime défense.
1928 | Paris
| Éditions Surréalistes
Légitime défense is a key text that exposes the artistic and ideological struggles of surrealism. The publication bears witness to the complex relationship between artistic freedom and political commitment.
"Légitime défense" is a pivotal manifesto by the French surrealist poet and theorist André Breton. Published in September 1926, the work marks a significant turning point in the history of surrealism. It is a fierce defense of the surrealist movement against criticism, particularly from Pierre Naville, and simultaneously a radical reflection on the position of the intellectual in society. Breton defends the autonomy of the artist while also emphasizing the necessity of social and political engagement. This manifesto illustrates the tension and complex relationship between the artistic and political ideals that characterized the surrealist movement from its inception. It is a document of great historical value that exposes the internal struggles and ideological shifts within surrealism.
€500
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In-12 (Duodecimo) approx. 17 × 22 cm
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5000
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Product DETAIL
In this manifesto, Breton defends the surrealist movement against criticism from the former surrealist Pierre Naville. Breton responds to Naville's pamphlet "La Révolution et les intellectuels" and defends the artistic freedom and autonomy of the surrealists. At the same time, he explores the complex relationship between surrealism, art, and politics, in particular the movement's growing involvement with communism. He argues that surrealism, despite its focus on the subconscious and dreams, can indeed play a revolutionary role. Breton emphasizes the need for a revolutionary approach to the mind and society, and argues that the surrealist method is perfect for this.

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