Mes caravanes
Mes caravanes is a poetic publication from Aragon’s post-war period, issued in 1954 by Seghers. The collection no longer stands at the centre of historical Surrealism, yet it bears the name of one of the major figures who helped shape that adventure. Here Aragon is the poet of engagement, memory and political conviction rather than the young Surrealist provocateur of the 1920s. For The Hidden Page, the appeal lies in the combination of a major avant-garde author with an extremely small deluxe limitation. This copy, number 15 of only 40 on Hollande, belongs to the sole large-paper issue. A post-war poetry booklet thus acquires particular bibliophilic sharpness and collector interest.
Quantity
Aragon, Louis
Mes caravanes
1954 | Pierre Seghers
A rare large-paper copy of Aragon’s post-war poetry, important through its author and extremely small limitation. Not central to Surrealism, but valuable as a later witness to a former avant-gardist.
Mes caravanes is a poetic publication from Aragon’s post-war period, issued in 1954 by Seghers. The collection no longer stands at the centre of historical Surrealism, yet it bears the name of one of the major figures who helped shape that adventure. Here Aragon is the poet of engagement, memory and political conviction rather than the young Surrealist provocateur of the 1920s. For The Hidden Page, the appeal lies in the combination of a major avant-garde author with an extremely small deluxe limitation. This copy, number 15 of only 40 on Hollande, belongs to the sole large-paper issue. A post-war poetry booklet thus acquires particular bibliophilic sharpness and collector interest.
€520
Condition Report:
In-Depth Study
References & Bibliography
Format
In-8 (Octavo) approx. 20 × 26 cm
Edition Particulars
One of 40 numbered copies on Hollande, the only large-paper issue.
Print Run
40
Copy Number
No. 15
Paper
Hollande
Inscription
No inscription
Product DETAIL
The collection consists of poems from Aragon’s post-war communist and engaged phase. Its central concerns are movement, journeying, collective memory and the relation between the personal voice and a historical horizon. The title suggests travelling groups, displacement and a poetic community on the move. The poems are probably not narrative in a strict sense, but build a lyrical itinerary in which political conviction and figurative language meet. Aragon connects personal cadence with broader social and historical themes. The atmosphere is more solemn and rhetorical than in his early Surrealist work, while retaining his great technical command of rhythm, image and address.
Michaux, Henri
Ailleurs
*Ailleurs* is a keystone in Michaux’s imaginary ethnographies—an atlas of inner geographies, issued by NRF in 1948. Miguet’s sober bordeaux morocco binding matches the text’s clarity and restraint. With dry precision and wry humor, Michaux details peoples, rituals, and languages that are both alien and oddly familiar. The airy layout paces attention and thought. This copy belongs to the small head issue on vélin pur fil and is notably fresh. A book that relocates the reader in place—a cartography of the mind.
Book
€1,050
Ribemont-Dessaignes, Georges
Ariane
A remarkable copy of *Ariane*, published in the *Les Cahiers Nouveaux* series, inscribed with a poetic and enigmatic message by Ribemont-Dessaignes to Jacques Matarasso. This deluxe Japan paper edition was elegantly rebound in 1994 by Georges Leroux, in a restrained style that echoes the work’s Dadaist spirit.
Book
€1,100
Gracq, Julien
Au château d'Argol
Julien Gracq’s debut novel, issued by José Corti, sets a gothic castle on the Breton coast as the stage for a charged, almost dream-logic encounter between three figures. The prose is musical and image-rich, favouring symbolic landscapes and metaphysical weather. Born near Surrealism yet distinctly independent, the book establishes Gracq’s lucid enchantment from the start. For bibliophiles this is a key title: an early Corti publication, scarce in appealing condition, and the opening note of a major twentieth-century voice. Its limited print-run and initially slow reception add to the sense of discovery. This copy is on publisher’s stock.
Book
€610
Dominique Fourcade, Pierre Buraglio · Buraglio, Pierre
Au travail ma chérie
First volume in the Préférence series: a focused encounter between Dominique Fourcade and Pierre Buraglio. The Imprimerie nationale produced an exemplary typographic edition on Rives wove, limited to 100 copies signed by both. Buraglio “illuminates” the book with spare, hand-made interventions—strokes, contours, accents—that let the page breathe. The plain wrappers in a sturdy case stress the workshop feel. This copy bears a presentation to Jacques Dauchez, adding a vivid bibliophilic provenance. A scarce, exact book where typography, gesture, and poetry hold each other in balance.
Book
€725
When a Signature Becomes Provenance
A signature confirms; a dedication connects; an association copy tells a story.
The Fragile Meaning of ‘Complet’
In auction descriptions, “complete” often sounds reassuring — but it is only meaningful when verified against the colophon, the justification, and the bibliography. For The Hidden Page, clarity begins where vague market language ends.
The Avant-Garde and the Illustrated Word
How the Twentieth Century Recast the Book as an Artistic and Ideological Medium