Messaline. Roman de l'ancienne Rome.
This rare first edition of *Messaline* (Paris, La Revue Blanche, 1901) reveals Alfred Jarry working beyond the familiar Ubu constellation. In a handy duodecimo format, the Roman narrative unfolds with uneasy sensuality, biting irony, and satirical clarity. Issued by La Revue Blanche—one of the key fin-de-siècle platforms—the book sits naturally among Symbolist circles and early literary modernity. This copy is attractively bound in havana half-chagrin with striking orange percaline boards, while the original cover and spine have been preserved—an important bibliophilic virtue. Talvart & Place (X, 130) records the edition in Jarry’s bibliography. A compelling early printing that captures Jarry’s historical imagination and stylistic restlessness.
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Jarry, Alfred
Messaline. Roman de l'ancienne Rome.
1901 | Paris | La Revue Blanche
A rare Jarry first edition: Roman desire with fin-de-siècle bite.
This rare first edition of *Messaline* (Paris, La Revue Blanche, 1901) reveals Alfred Jarry working beyond the familiar Ubu constellation. In a handy duodecimo format, the Roman narrative unfolds with uneasy sensuality, biting irony, and satirical clarity. Issued by La Revue Blanche—one of the key fin-de-siècle platforms—the book sits naturally among Symbolist circles and early literary modernity. This copy is attractively bound in havana half-chagrin with striking orange percaline boards, while the original cover and spine have been preserved—an important bibliophilic virtue. Talvart & Place (X, 130) records the edition in Jarry’s bibliography. A compelling early printing that captures Jarry’s historical imagination and stylistic restlessness.
€550
Condition Report:
In-Depth Study
References & Bibliography
Format
In-12 (Duodecimo) approx. 17 × 22 cm
Inscription
No inscription
Product DETAIL
Jarry reworks the notorious figure of Messalina, Emperor Claudius’s scandalous wife, into a novel where power, desire, and public performance collide. Ancient Rome becomes a mirror: beneath the historical décor, modern fixations and fin-de-siècle moral hypocrisy surface. The tone shifts between near-theatrical scenes, satirical bite, and dark erotic charge. Through ellipsis, quick pivots, and destabilizing details, Jarry repeatedly nudges the reader away from conventional realism. The imperial intrigue reads less like costume drama than a testing ground for human appetite and manipulation.
Ribemont-Dessaignes, Georges
Ariane
A remarkable copy of *Ariane*, published in the *Les Cahiers Nouveaux* series, inscribed with a poetic and enigmatic message by Ribemont-Dessaignes to Jacques Matarasso. This deluxe Japan paper edition was elegantly rebound in 1994 by Georges Leroux, in a restrained style that echoes the work’s Dadaist spirit.
Book
€1,100
Gracq, Julien
Au château d'Argol
Julien Gracq’s debut novel, issued by José Corti, sets a gothic castle on the Breton coast as the stage for a charged, almost dream-logic encounter between three figures. The prose is musical and image-rich, favouring symbolic landscapes and metaphysical weather. Born near Surrealism yet distinctly independent, the book establishes Gracq’s lucid enchantment from the start. For bibliophiles this is a key title: an early Corti publication, scarce in appealing condition, and the opening note of a major twentieth-century voice. Its limited print-run and initially slow reception add to the sense of discovery. This copy is on publisher’s stock.
Book
€610
Dominique Fourcade, Pierre Buraglio · Buraglio, Pierre
Au travail ma chérie
First volume in the Préférence series: a focused encounter between Dominique Fourcade and Pierre Buraglio. The Imprimerie nationale produced an exemplary typographic edition on Rives wove, limited to 100 copies signed by both. Buraglio “illuminates” the book with spare, hand-made interventions—strokes, contours, accents—that let the page breathe. The plain wrappers in a sturdy case stress the workshop feel. This copy bears a presentation to Jacques Dauchez, adding a vivid bibliophilic provenance. A scarce, exact book where typography, gesture, and poetry hold each other in balance.
Book
€725
Aragon, Louis
Anicet ou le panorama
With *Anicet ou le panorama* (Paris, NRF, 1921), Louis Aragon delivers an early, deliberately hybrid novel written at the hinge between Dada disruption and the rise of Surrealism. The book proceeds by visions and sequences—a “panorama” in which identity, desire, and the act of looking continually shift. In this bibliophile form (“tirage de tête” reserved for NRF bibliophiles), the novel also becomes a collectible object intended for a small inner circle. This copy is specifically designated “pour le Dr. Sourdel” and numbered XLVIII, underscoring the selective, personalized nature of the issue. Published under the NRF imprint, Aragon is anchored in the literary center while keeping the book’s formal audacity intact. A key item for understanding the nervous modernity of the early 1920s.
Book
€1,150
The Architecture of Absurdity: Alfred Jarry, Pataphysics and the Destructive Aesthetics of the Ubu Cycle
From schoolyard prank to cultural revolution: how Alfred Jarry created Père Ubu and the science of pataphysics, permanently transforming modern theater, literature, and philosophy.