Persécuté Persécuteur
€650.00
First edition of a pivotal Aragon collection, issued by Éditions surréalistes in 1931 at the threshold of his communist commitment. The book opens with the notorious “Front rouge”, whose militant cadence sealed the split with André Breton and sets the combative tenor of the volume. This large-paper copy on pur fil Johannot ranks among the most coveted, owing to the limited paper hierarchy. The blend of literary history, political charge, and bibliophile presentation (half-morocco, errata) makes it a keystone item. A rare opportunity to handle a hinge moment in French modernism.
Quantity
Aragon, Louis
ILLUSTRATORS
ILLUSTRATORS
ILLUSTRATORS
Persécuté Persécuteur
1931 | Paris | Éditions Surréalistes
A hinge-piece of modern poetry, in a desirable large-paper issue.
First edition of a pivotal Aragon collection, issued by Éditions surréalistes in 1931 at the threshold of his communist commitment. The book opens with the notorious “Front rouge”, whose militant cadence sealed the split with André Breton and sets the combative tenor of the volume. This large-paper copy on pur fil Johannot ranks among the most coveted, owing to the limited paper hierarchy. The blend of literary history, political charge, and bibliophile presentation (half-morocco, errata) makes it a keystone item. A rare opportunity to handle a hinge moment in French modernism.
€650
Condition Report:
In-Depth Study
References & Bibliography
Format
In-8 (Octavo) approx. 20 × 26 cm
Edition Particulars
One of 70 copies on pur fil Johannot, third paper after 15 Japan and 30 Holland.
Print Run
70
Copy Number
85
Paper
Fil Johannot
Inscription
No inscription
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Edition Particulars:
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Condition Report:
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Product DETAIL
The collection fuses revolutionary rhetoric with formal experiment, where chant, slogan and command collide. “Front rouge” acts as both aesthetic and political preface; subsequent poems probe the strain between avant-garde freedom and party discipline. The volume reads as a ledger of transition, surrealist fantasy yielding to collectivist rhythms. The climate of 1931 surfaces in brusque cut-ups, urban imagery and hard enjambments. A compact, pugnacious corpus that politicises the lyric field.
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La Liberté ou l'Amour ! by Robert Desnos is a monument of Surrealist literature, presented here in an exceptional binding by master bookbinder Jean de Gonet. This 1927 edition contains the full text, including the notorious passages censored at the time. The work is a feverish exploration of eroticism and freedom, written in the automatic style that Desnos perfected. The combination of Desnos's rebellious text and De Gonet's industrial, architectural aesthetic makes this copy a unique collector's item. Furthermore, it bears the signature of Czech artist Adolf Hoffmeister, adding to its historical significance. For the bibliophile, this book represents the perfect symbiosis between avant-garde literature and innovative bookbinding art. With its dreamlike logic, unsettling eroticism, and atmosphere of veiled desire, this book can evoke Stanley Kubrick’s film Eyes Wide Shut
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Moments is a late, compact Michaux volume where language probes time in brief surges and pauses. The grey-buffalo Jansenist binding—by Miguet—frames the spare layout and lets the text’s rhythm breathe. The title points to flashes of consciousness: halts, starts, reprises. As the édition originale in NRF’s “Le Point du Jour” series, the book exemplifies postwar bibliophile exactitude: precise setting, generous white, tactile paper. This copy is from the very small head issue on vergé de Hollande. The binding’s discreet elegance heightens reading focus.
