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Sans fin l'affamé.

SKU SANS-001

Sans fin l’affamé is the original 1964 edition by Charles Juliet, a rare and refined gem of post-war bibliophilia. Printed in large octavo (32.5 × 22 cm), on sumptuous Arches vellum, limited to just 120 numbered copies (no. 35), and adorned with four original coloured lithographs signed by the renowned Bram van Velde.

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Sans fin l'affamé.
1976 | Montpellier | Fata Morgana
Sans fin l’affamé is an exceptional collaboration in which poetry and visual art amplify one another — a subtle yet powerful creation where silence and existence, form and word converge into a single work of art.

Sans fin l’affamé is the original 1964 edition by Charles Juliet, a rare and refined gem of post-war bibliophilia. Printed in large octavo (32.5 × 22 cm), on sumptuous Arches vellum, limited to just 120 numbered copies (no. 35), and adorned with four original coloured lithographs signed by the renowned Bram van Velde.

€2,500
Condition Report:
In-Depth Study
References & Bibliography
Format
In-8 (Octavo) approx. 20 × 26 cm
Paper
vélin d'Arches
Inscription
Signed by the Illustrator

Product DETAIL

Sans fin l’affamé is a rare artist’s edition in which poet Charles Juliet and painter Bram van Velde come together around themes such as existential hunger, fear, and mortality. The work includes four signed lithographs by Van Velde and reflects the poetic-abstract style of the post-war avant-garde. Published in a limited edition, this book represents a crossroads between literature and visual art, deeply rooted in the silence of human existence.

Arrière-histoire du poème pulvérisé
Char, Rene · Stael, Nicolas de
Arrière-histoire du poème pulvérisé

*Arrière-histoire du poème pulvérisé* is a later illustrated edition of a key text in which René Char looks back on the genesis and inner background of *Le Poème pulvérisé*. Published in 1972 by Imprimerie Union, it opens with a colour frontispiece by Nicolas de Staël. The pairing of Char and de Staël is especially charged: two post-war voices, each seeking concentration, clarity, and rupture in his own medium. This copy is one of only six hors commerce copies on Arches and is signed. The autograph presentation inscription to Doctor Marcel Zara, with poetic quotation and October 1972 dating, makes it a deeply personal copy.

Illustrated Book
€920
Aux Petits Agneaux
Waldberg, Patrick · Ernst, Max
Aux Petits Agneaux

A artist’s book resulting from the collaboration between writer Patrick Waldberg and surrealist master Max Ernst. This first edition includes 19 original lithographs printed on luxurious vélin d'Arches. Published in Paris in 1971 in a limited edition of 174 copies signed by both author and artist, and presented in a custom publisher’s box.

Illustrated Book
€2,200
L'arbre descend du singe
Bédouin, Jean-Louis · Hallart, Guy
L'arbre descend du singe

L'Arbre descend du singe is a beautifully illustrated edition that highlights the collaboration between the poet Jean-Louis Bedouin and the artist Guy Hallart. The work, published in a limited edition, is characterized by a rich dialogue between poetry and image, where the visual compositions reflect the dreamy and often cryptic nature of Bedouin's texts. The book is a tangible testament to the artistic symbiosis between the two creators and offers a unique insight into a creative dialogue from the mid-1970s.

Illustrated Book
€700
Arriver à se réveiller
Michaux, Henri · Bettencourt, Pierre
Arriver à se réveiller

A rare first edition of Arriver à se réveiller, written by Henri Michaux in the tremulous post-war years. The text unfolds as an inward journey toward lucidity, where sleep and waking mirror each other. Printed and published by Pierre Bettencourt in his own workshop, the edition’s small run preserves the work’s intimacy. The title-page vignette, a linocut by Bettencourt, sets a spare, rhythmic visual key that amplifies Michaux’s vigilant, vulnerable tone. This copy is handsomely bound in brown morocco with balsa boards by Miguet, a tactile nod to lightness under tension. For bibliophiles, it is an exemplary union of poetry, craft, and experiment. The volume embodies the independence of the post-war small press and Michaux’s radical sensitivity.

Illustrated Book
€680
Studies & Dossiers
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When a Signature Becomes Provenance

A signature confirms; a dedication connects; an association copy tells a story.

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The Fragile Meaning of ‘Complet’

In auction descriptions, “complete” often sounds reassuring — but it is only meaningful when verified against the colophon, the justification, and the bibliography. For The Hidden Page, clarity begins where vague market language ends.

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Size does (not) matter

Size does (not) matter: The Paradoxical Power of Format in Avant-Garde Book Art

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