Sejour a Venise
"This exceptional copy of 'Séjour à Venise' falls on by its beautiful and unique binding, created by the renowned N. Kiyomiya in 2007. The complexity of the design, with mosaic-like lozenges of floral wallpaper, testifies to extraordinary craftsmanship and an artistic approach that elevates the book into an art object in itself. Charles de Brosses' work is here combined with the subtle etchings of Albert Marquet, creating a harmonious fusion of text and image. This book is not only a literary journey through Venice but also a visual feast, with each illustration carefully placed to capture the city's atmosphere. The luxurious presentation and the rarity of this particular copy make it a highly desirable collector's item. It is a testament to the enduring allure of Venice, captured by the pen of De Brosses and the brush of Marquet, and enhanced by the masterful hand of the bookbinder. This is an opportunity to acquire a piece of history and art that enriches both aesthetically and intellectually. The book's Near Fine condition further enhances its value and collectibility."
Quantity
Brosses, Charles de
Albert Marquet
Sejour a Venise
1947 | Paris | Éditions Textes Prétextes
"A masterfully bound luxury copy of Charles de Brosses' 'Séjour à Venise', richly illustrated by Albert Marquet, with two rare suites of etchings on Malacca paper. Condition: Near Fine."
"This exceptional copy of 'Séjour à Venise' falls on by its beautiful and unique binding, created by the renowned N. Kiyomiya in 2007. The complexity of the design, with mosaic-like lozenges of floral wallpaper, testifies to extraordinary craftsmanship and an artistic approach that elevates the book into an art object in itself. Charles de Brosses' work is here combined with the subtle etchings of Albert Marquet, creating a harmonious fusion of text and image. This book is not only a literary journey through Venice but also a visual feast, with each illustration carefully placed to capture the city's atmosphere. The luxurious presentation and the rarity of this particular copy make it a highly desirable collector's item. It is a testament to the enduring allure of Venice, captured by the pen of De Brosses and the brush of Marquet, and enhanced by the masterful hand of the bookbinder. This is an opportunity to acquire a piece of history and art that enriches both aesthetically and intellectually. The book's Near Fine condition further enhances its value and collectibility."
€4,850
Condition Report:
In-Depth Study
References & Bibliography
Format
In-4 (Quarto) approx. 25 × 32 cm
Edition Particulars
This is one of 50 copies of the 'tête de tirage' on vélin d'Arches paper, specifically one of the first 20 (no. 12), accompanied by 2 suites on Malacca paper (one in black, one in black and color). The suites are separately bound in flexible old-rose morocco with a lozenge of old-red chagrin on the front cover, by the same binder.
Print Run
290
Copy Number
12
Paper
vélin d'Arches; Malacca
Product DETAIL
"The book "Séjour à Venise" is a collection of four personal letters from Charles de Brosses. In these letters, De Brosses describes his experiences and impressions of Venice, offering the reader a unique perspective on the city in the 18th century. The text is lively and full of anecdotes, making it an engaging reading experience. The work combines travelogue with cultural observations. It is aimed at lovers of historical travel stories and art."
Michaux, Henri · Bettencourt, Pierre
Arriver à se réveiller
A rare first edition of Arriver à se réveiller, written by Henri Michaux in the tremulous post-war years. The text unfolds as an inward journey toward lucidity, where sleep and waking mirror each other. Printed and published by Pierre Bettencourt in his own workshop, the edition’s small run preserves the work’s intimacy. The title-page vignette, a linocut by Bettencourt, sets a spare, rhythmic visual key that amplifies Michaux’s vigilant, vulnerable tone. This copy is handsomely bound in brown morocco with balsa boards by Miguet, a tactile nod to lightness under tension. For bibliophiles, it is an exemplary union of poetry, craft, and experiment. The volume embodies the independence of the post-war small press and Michaux’s radical sensitivity.
Illustrated Book
€680
Éluard, Paul
Au rendez-vous allemand
Au rendez-vous allemand is one of the emblematic collections of Éluard’s wartime poetry. The book appeared in 1944 from Les Éditions de Minuit, the publishing house that, under the Occupation, became a moral landmark of the French literary Resistance. The volume gathers poems in which love, mourning, revolt and hope appear not as abstractions but as immediate necessities under German rule. The frontispiece, a portrait of the poet after Picasso, gives the book a powerful artistic signature: two voices of modern France, poet and artist, stand here in the same struggle. This is an ordinary, unnumbered copy, but signed by Éluard on the first page. That signature makes the book more than a Resistance document: it becomes a tangible witness to literary presence in a historically charged year. For the collector, it unites the clandestine aura of Minuit, Picasso’s name and Éluard’s own hand.
Illustrated Book
€350
Derain, André
Amis & Amille. Mystère du XIVe siècle.
This sumptuously bound book brings a medieval mystery to life through a rare collaboration between ancient literature and modern illustration. The geometric box design on garnet morocco provides striking contrast. André Derain’s 22 color lithographs – including one double and three full-page – enhance the narrative with expressive visual force. Printed on Rives vellum in an edition of 180 numbered copies, this copy (No. 72) was made for Baroness Vaxelaire and includes a suite on fine Japanese paper. The binding by Lucie Weill exemplifies artisanal excellence. A harmonious blend of narrative tradition and graphic daring.