Si tu t’imagines
€610.00
Queneau’s first substantial collected volume of poems spans three decades, from playful early pieces to pivotal 1940s texts. Issued by Gallimard in the Le Point du jour series, it crystallises his poetic voice. It gathers Chêne et chien, La Fête au village, Les Ziaux, L’Instant fatal, and adds nine previously unpublished poems. The register is elastic: parlando, slang, metrical play, and witty trivialisation of the sublime. Everyday logic crackles through linguistic pirouettes. This copy bears a cordial presentation to Max-Pol Fouchet, a key advocate of modern poetry. A cornerstone volume in original state with notable provenance.
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Queneau, Raymond
ILLUSTRATORS
ILLUSTRATORS
ILLUSTRATORS
Si tu t’imagines
1952 | Paris | Gallimard (NRF)
A cornerstone of Queneau’s poetry, in original state with significant presentation.
Queneau’s first substantial collected volume of poems spans three decades, from playful early pieces to pivotal 1940s texts. Issued by Gallimard in the Le Point du jour series, it crystallises his poetic voice. It gathers Chêne et chien, La Fête au village, Les Ziaux, L’Instant fatal, and adds nine previously unpublished poems. The register is elastic: parlando, slang, metrical play, and witty trivialisation of the sublime. Everyday logic crackles through linguistic pirouettes. This copy bears a cordial presentation to Max-Pol Fouchet, a key advocate of modern poetry. A cornerstone volume in original state with notable provenance.
€610
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In-Depth Study
References & Bibliography
Format
In-8 (Octavo) approx. 20 × 26 cm
Edition Particulars
“S.P.” review copy with author’s presentation to Max-Pol Fouchet; publisher’s prospectus laid in.
Paper
vélin pur fil Lafuma-Navarre
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Product DETAIL
The selection gives spoken language and punning a philosophical edge. Queneau builds stanzas as miniature logical trials that stay light and exact. Themes include the acrobatics of thought, love and irony, city and routine, time tripping over itself. The nine previously unpublished poems foreshadow later books: cleaner rhythm, drier humour. The book reads like a workshop where prosody and everydayness keep correcting each other.
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