Terre sur terre
*Terre sur terre* stands among Tristan Tzara’s notable postwar poetry books and was issued in 1946 by Trois Collines, a publisher that became an important meeting point for poetry and art in the immediate aftermath of the war. The collaboration with André Masson gives the volume a distinctive visual charge without diminishing the lyrical autonomy of Tzara’s text. Masson’s ten compositions echo the book’s cadence through a nervous, organic language of form closely attuned to Tzara’s imagery. This copy, numbered 1543 of 3000 on vergé crème, is further enriched by a warm inscription from Tzara to René Lacôte. It therefore carries not only bibliophilic value but also a clear literary provenance. For the collector, it is a compact yet eloquent witness to poetry, avant-garde legacy, and personal exchange.
Quantity
Tzara, Tristan
Masson, André
Terre sur terre
1946 | Genève & Paris | Trois Collines
With its first-edition status, Masson illustrations, and inscription to René Lacôte, this copy offers an especially eloquent witness to Tzara’s postwar poetry. It unites aesthetic force and literary intimacy in a rare form.
*Terre sur terre* stands among Tristan Tzara’s notable postwar poetry books and was issued in 1946 by Trois Collines, a publisher that became an important meeting point for poetry and art in the immediate aftermath of the war. The collaboration with André Masson gives the volume a distinctive visual charge without diminishing the lyrical autonomy of Tzara’s text. Masson’s ten compositions echo the book’s cadence through a nervous, organic language of form closely attuned to Tzara’s imagery. This copy, numbered 1543 of 3000 on vergé crème, is further enriched by a warm inscription from Tzara to René Lacôte. It therefore carries not only bibliophilic value but also a clear literary provenance. For the collector, it is a compact yet eloquent witness to poetry, avant-garde legacy, and personal exchange.
€425
Condition Report:
In-Depth Study
References & Bibliography
Format
In-12 (Duodecimo) approx. 17 × 22 cm
Edition Particulars
One of 3000 copies on vergé crème, enriched with an inscription from Tristan Tzara to René Lacôte on the half-title page.
Print Run
3.16
Copy Number
No. 1543
Paper
vergé crème
Inscription
Envoi
1
Edition Particulars:
We welcome private inquiries, collaborations with institutions, and acquisition requests. Each message is treated with discretion and respect. We welcome private inquiries, collaborations with institutions, and acquisition requests.
1
Print Run:
Condition Report:
1
Copy Number:
Condition Report:
1
Paper:
Condition Report:
1
Signed:
Condition Report:
Product DETAIL
The volume unfolds as a poetic meditation on earth, matter, life, and reconstruction, written in the shadow of war without collapsing into mere elegy. Tzara binds cosmic and bodily images so that the concrete and the visionary continually flow into one another. The language remains free, associative, and musical, yet it is more concentrated than the explosive gestures of his early Dada years. These poems reveal a writer who has passed through historical upheaval and still seeks a renewed ground for speech. *Terre sur terre* thus reads as a book of recovered breath, where elemental things regain meaning.

Mérimée, Prosper · Clavé, Antoni
Lettres d’Espagne
*Lettres d’Espagne*, published in 1944, marks a pivotal moment in Antoni Clavé's career and is among the most sought-after 'livres d'artiste' from the war years. The Catalan artist, having recently fled to Paris, found in Prosper Mérimée's texts the perfect opportunity to express his nostalgia and passion for Spanish culture. The 27 original lithographs burst with color and baroque energy, showcasing Clavé's legendary mastery of lithography. This specific copy is of museum-grade rarity: it is enriched with an original gouache by the master himself, as well as two complete suites of the lithographs. The combination of Mérimée's classic prose and Clavé's spirited imagery creates a visual spectacle that captures the Spanish soul in all its facets. For the discerning bibliophile, this copy represents the ultimate synthesis of unique artistry and high-end bookmaking.
Ill Book
€2,850

Reverdy, Pierre · Braque, Georges
Une aventure méthodique
*Une aventure méthodique* brings together Pierre Reverdy’s concentrated poetic prose and Georges Braque’s austere visual language. It belongs among the major post-war French livres d’artiste, where text, lithography and typography meet as equal forces. Braque contributed 27 original lithographs, supplemented by colour reproductions after his paintings, giving the volume both intimacy and monumentality. Printed by Mourlot, the celebrated Paris lithographic workshop, the book has exceptional technical refinement. This copy, on vélin d’Arches and signed by both author and artist, preserves a rare encounter between modern poetry and pictorial invention.
Ill Book
€4,850

Roy, Claude · Picasso, Pablo
La guerre et la paix
*La guerre et la paix*, published in 1954, is a monumental overview of Pablo Picasso's work for the Vallauris chapel, accompanied by Claude Roy's text. This edition by Cercle d’Art forms an essential synthesis of Picasso’s post-war humanism and his resistance to the horrors of conflict. The book contains, alongside numerous reproductions, original lithographs that expose the dynamics of his artistic process. For the bibliophile, this work is a crucial testimony to the dialogue between word and image in the early 1950s.
Ill Book
€850

Suarès, André
Hélène chez Archimède
Hélène chez Archimède is a remarkable example of the collaboration between a poet and a visual artist, in this case the French author André Suarès and the legendary Spanish master Pablo Picasso. The edition, illustrated with wood engravings, reveals the complex interplay between word and image that culminated in the production of illustrated books in the mid-20th century. This work, originally a project by the famous art dealer Ambroise Vollard, shows the enduring relevance of classical themes, here the myth of Helen, in a modernist context. Thanks to its careful execution and the exclusivity of its print run, Hélène chez Archimède is not only a literary work but also an art object, a testament to the artisanal perfection sought by the Nouveau Cercle parisien du Livre. It represents a significant moment in the history of the modern illustrated book, where the line between illustration and autonomous art blurs. The additions to this copy, such as a menu and an announcement leaflet, enrich its bibliographic and historical value and offer a rare glimpse into its publication context.
















































