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Ubu Roi

SKU UBUR-002

This edition of *Ubu Roi* brings together one of the founding texts of the modern avant-garde and the vivid, free graphic language of Pierre Alechinsky. Issued as the Centenary edition, it reproduces the text of the 1896 original while re-situating Jarry’s explosive drama within a distinctly bibliophilic framework. The book retains the material lightness of an issue in loose sheets, while the 26 illustrations give it a strong visual rhythm. The encounter between Jarry and Alechinsky is especially fruitful: both share a taste for disruption, grotesque energy, and playful subversion. The result is more than a reprint; it is a contemporary re-reading by a major artist. This copy on papier de chandelle, accompanied by a signed original lithograph, is among the most desirable deluxe issues of the edition. For the collector, it compellingly unites literary canon, artist’s book, and rarity.

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Ubu Roi
1996 | Fontfroide | Bibliothèque Artistique & Littéraire
A remarkable artist’s edition of Jarry’s most famous text, in which bibliographical exactitude and visual freedom reinforce one another with unusual force. This deluxe copy with original lithograph ranks among the most desirable states of the edition.

This edition of *Ubu Roi* brings together one of the founding texts of the modern avant-garde and the vivid, free graphic language of Pierre Alechinsky. Issued as the Centenary edition, it reproduces the text of the 1896 original while re-situating Jarry’s explosive drama within a distinctly bibliophilic framework. The book retains the material lightness of an issue in loose sheets, while the 26 illustrations give it a strong visual rhythm. The encounter between Jarry and Alechinsky is especially fruitful: both share a taste for disruption, grotesque energy, and playful subversion. The result is more than a reprint; it is a contemporary re-reading by a major artist. This copy on papier de chandelle, accompanied by a signed original lithograph, is among the most desirable deluxe issues of the edition. For the collector, it compellingly unites literary canon, artist’s book, and rarity.

€850
Condition Report:
In-Depth Study
References & Bibliography
Format
In-8 (Octavo) approx. 20 × 26 cm
Edition Particulars
One of 75 numbered copies on papier de chandelle, accompanied by a signed original lithograph.
Print Run
1000
Copy Number
No. 41
Paper
papier de chandelle
Inscription
Signed by the Illustrator

Product DETAIL

*Ubu Roi* remains a hinge-work of modern literature, at once parody, political grotesque, and verbal explosion. The drama undermines authority, good taste, and theatrical convention with a brutality that still feels strikingly fresh. Père Ubu is at once monster, clown, and caricature of power, which is precisely why he became an enduring cultural icon. In this edition, the text is restored in full as connected to its earliest puppet-theatre context of 1888. That gives the volume not only bibliographical value but also a strong historical awareness. The reader thus encounters a work that is both a classic and a still-living provocation.

Arriver à se réveiller
Michaux, Henri · Bettencourt, Pierre
Arriver à se réveiller

A rare first edition of Arriver à se réveiller, written by Henri Michaux in the tremulous post-war years. The text unfolds as an inward journey toward lucidity, where sleep and waking mirror each other. Printed and published by Pierre Bettencourt in his own workshop, the edition’s small run preserves the work’s intimacy. The title-page vignette, a linocut by Bettencourt, sets a spare, rhythmic visual key that amplifies Michaux’s vigilant, vulnerable tone. This copy is handsomely bound in brown morocco with balsa boards by Miguet, a tactile nod to lightness under tension. For bibliophiles, it is an exemplary union of poetry, craft, and experiment. The volume embodies the independence of the post-war small press and Michaux’s radical sensitivity.

Illustrated Book
€680
Arrière-histoire du poème pulvérisé
Char, Rene · Stael, Nicolas de
Arrière-histoire du poème pulvérisé

*Arrière-histoire du poème pulvérisé* is a later illustrated edition of a key text in which René Char looks back on the genesis and inner background of *Le Poème pulvérisé*. Published in 1972 by Imprimerie Union, it opens with a colour frontispiece by Nicolas de Staël. The pairing of Char and de Staël is especially charged: two post-war voices, each seeking concentration, clarity, and rupture in his own medium. This copy is one of only six hors commerce copies on Arches and is signed. The autograph presentation inscription to Doctor Marcel Zara, with poetic quotation and October 1972 dating, makes it a deeply personal copy.

Illustrated Book
€920
Au dépens des mots
Hugnet, Georges · Valentine, Hugo
Au dépens des mots

An exceptional oblong in-16 volume bound in a single tome, comprising three editions of Au dépens des mots, including the exceedingly rare tête-de-tête edition on nacré japon.

Illustrated Book
€3,200
Au rendez-vous allemand
Éluard, Paul
Au rendez-vous allemand

Au rendez-vous allemand is one of the emblematic collections of Éluard’s wartime poetry. The book appeared in 1944 from Les Éditions de Minuit, the publishing house that, under the Occupation, became a moral landmark of the French literary Resistance. The volume gathers poems in which love, mourning, revolt and hope appear not as abstractions but as immediate necessities under German rule. The frontispiece, a portrait of the poet after Picasso, gives the book a powerful artistic signature: two voices of modern France, poet and artist, stand here in the same struggle. This is an ordinary, unnumbered copy, but signed by Éluard on the first page. That signature makes the book more than a Resistance document: it becomes a tangible witness to literary presence in a historically charged year. For the collector, it unites the clandestine aura of Minuit, Picasso’s name and Éluard’s own hand.

Illustrated Book
€350
Studies & Dossiers
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The Architecture of Absurdity: Alfred Jarry, Pataphysics and the Destructive Aesthetics of the Ubu Cycle

From schoolyard prank to cultural revolution: how Alfred Jarry created Père Ubu and the science of pataphysics, permanently transforming modern theater, literature, and philosophy.

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