Écritures
*Écritures* is one of the major artists’ books from Max Ernst’s later career and at the same time one of Le Point Cardinal’s most striking achievements. The volume brings together Ernst’s texts with one hundred and twenty images drawn from his own visual world, so that writing and image continually echo one another. The original lithograph on the cover immediately gives the book the status of an autonomous art object. In the artist’s copy, a signed etching used as frontispiece further elevates the whole into a luxurious and highly desirable bibliophilic edition. The publisher’s presentation, with the Leroux-designed case and its distinctive cobra spine, lends the book an almost sculptural presence. For that reason, this edition holds an eminent place within the postwar French artist’s book.
Quantity
Ernst, Max
Écritures
1970 | Paris | Le Point Cardinal
A landmark of Ernst’s late surrealist book art, where text, image, and object become perfectly one.
*Écritures* is one of the major artists’ books from Max Ernst’s later career and at the same time one of Le Point Cardinal’s most striking achievements. The volume brings together Ernst’s texts with one hundred and twenty images drawn from his own visual world, so that writing and image continually echo one another. The original lithograph on the cover immediately gives the book the status of an autonomous art object. In the artist’s copy, a signed etching used as frontispiece further elevates the whole into a luxurious and highly desirable bibliophilic edition. The publisher’s presentation, with the Leroux-designed case and its distinctive cobra spine, lends the book an almost sculptural presence. For that reason, this edition holds an eminent place within the postwar French artist’s book.
€2,450
Condition Report:
In-Depth Study
References & Bibliography
Format
In-8 (Octavo) approx. 20 × 26 cm
Edition Particulars
Artist’s copy, justified by the publisher Jean Hughes, with a signed Max Ernst etching as frontispiece in addition to the original lithographic cover.
Print Run
100
Copy Number
Artist Copy J.H. (John Hughes)
Inscription
No inscription
Product DETAIL
The book forms a hybrid space between poetic notation, visual thinking, and autobiographical montage. Ernst does not arrange texts and images according to a conventional linear logic, but through associations, shifts, and unexpected echoes. In this way, *Écritures* reads as an extension of his visual practice, where language is granted the same freedom as collage or frottage. The one hundred and twenty illustrations are not mere decoration, but an integral part of the book’s rhythm and meaning. The result is a dense, meditative, and playful publication in which memory, dream, and imagination flow into one another.

Char, Rene · Stael, Nicolas de
Arrière-histoire du poème pulvérisé
*Arrière-histoire du poème pulvérisé* is a later illustrated edition of a key text in which René Char looks back on the genesis and inner background of *Le Poème pulvérisé*. Published in 1972 by Imprimerie Union, it opens with a colour frontispiece by Nicolas de Staël. The pairing of Char and de Staël is especially charged: two post-war voices, each seeking concentration, clarity, and rupture in his own medium. This copy is one of only six hors commerce copies on Arches and is signed. The autograph presentation inscription to Doctor Marcel Zara, with poetic quotation and October 1972 dating, makes it a deeply personal copy.
Illustrated Book
€920

Waldberg, Patrick · Ernst, Max
Aux Petits Agneaux
A artist’s book resulting from the collaboration between writer Patrick Waldberg and surrealist master Max Ernst. This first edition includes 19 original lithographs printed on luxurious vélin d'Arches. Published in Paris in 1971 in a limited edition of 174 copies signed by both author and artist, and presented in a custom publisher’s box.
Illustrated Book
€2,200

Bédouin, Jean-Louis · Hallart, Guy
L'arbre descend du singe
L'Arbre descend du singe is a beautifully illustrated edition that highlights the collaboration between the poet Jean-Louis Bedouin and the artist Guy Hallart. The work, published in a limited edition, is characterized by a rich dialogue between poetry and image, where the visual compositions reflect the dreamy and often cryptic nature of Bedouin's texts. The book is a tangible testament to the artistic symbiosis between the two creators and offers a unique insight into a creative dialogue from the mid-1970s.
Illustrated Book
€700

Michaux, Henri · Bettencourt, Pierre
Arriver à se réveiller
A rare first edition of Arriver à se réveiller, written by Henri Michaux in the tremulous post-war years. The text unfolds as an inward journey toward lucidity, where sleep and waking mirror each other. Printed and published by Pierre Bettencourt in his own workshop, the edition’s small run preserves the work’s intimacy. The title-page vignette, a linocut by Bettencourt, sets a spare, rhythmic visual key that amplifies Michaux’s vigilant, vulnerable tone. This copy is handsomely bound in brown morocco with balsa boards by Miguet, a tactile nod to lightness under tension. For bibliophiles, it is an exemplary union of poetry, craft, and experiment. The volume embodies the independence of the post-war small press and Michaux’s radical sensitivity.
Illustrated Book
€680

When a Signature Becomes Provenance
A signature confirms; a dedication connects; an association copy tells a story.

The Fragile Meaning of ‘Complet’
In auction descriptions, “complete” often sounds reassuring — but it is only meaningful when verified against the colophon, the justification, and the bibliography. For The Hidden Page, clarity begins where vague market language ends.

The Avant-Garde and the Illustrated Word
How the Twentieth Century Recast the Book as an Artistic and Ideological Medium












































